MASTER lory, ib.; Young Girl caressing Old Man, Cassel Gallery ; Advocate and Clients, Dres- den Museum ; The Virgin nursing the Child (V), Portrait of Jehan Carondelet, Old Piuakothek, Munich ; Death of Lucretia, St. Jerome, Portrait of a Goldsmith, Vienna Museum ; The Virgin appearing to David and his Prophets, Hermitage, St. Peters- burg; Ecce Homo, Ducal Palace, Venice; St. Jerome, Portraits of himself and his Wife (1520), Uffizi, Florence ; Christ with Marv and St. John, Madrid Museum ; Bust Figures of Christ and the Virgin, National Gallery, London ; Portrait of Petrus Egidius, Longford Castle ; Triptych, Historical Soci- ety, New York. His younger son and pupil, Cornells (born at Antwerp about 1512, mas- ter of the guild in 1581, and still living in 15SO), was a figure and landscape painter, by whom is a Village Street Scene (1543) in the Berlin Museum. Allgem. d. Biogr., xxi. 5-21 ; Art Journal (1880), 145, 177 ; Ch. Blanc, Ecolo ilamande ; Cat. du Mus. d'An- vers (1874), 239 ; Dohme, li.; Engcrth, Belved. Gal., ii. 25'J ; Frtis, Cat. du Mus. roy., 1158 ; Furster, Denkmale, vii. 7 ; do., Gcsch., ii. 131; Gaz. des B. Arts (1861), xi. 31 ; xii. 154 ; Immerzeel, ii. 215 ; Kramm, iv. 1074 ; Kugler (Crowe), i. 114 ; Mag. of Art (18S(i), ix. 414 ; Michiels, iv. 287 ; Re- pert, f. K., vi. 405 ; Riegel, Beitriige, i. 4; Ilooses (Ueber), 34 ; Van den Branden, 40, 122, 145, 234, (550 ; Van Even, Ancieuue Kcole do Louvain ; Vlaamsche school (1855), 5(5, (5!) ; Wauters, Peinture flamande, 100 ; W. & W, ii. 50!) ; Zeitschr. f. b. K., xxi. 94. MASTEH OF ALTAll OF HOLY KITH- AND-KIN. German school, in which, dur- ing the early part of the l(5th century, were represented partly the idealism of the old school of Cologne combined with the more modern tendency to truth and individuality, partly an independent and ingenious adap- tation of Upper-German influences, and chiefly a close leaning to the contempora- neous art of the Netherlands. This master is the brilliant representative of the first- named tendency. Works attributed to this painter : Altar der heiligen Sippe, Cologne Museum ; SS. Columba, Ursula, and Ag- nes, Germanic Museum, Nuremberg ; works in the Museums of Berlin and Munich. W. & W., ii. 97, 488. MASTER OF THE APE. See Cleef, Marten van. MASTER OF BARTHOLOMEW AL- TAR. See Master of Thomas Altar. MASTER OF CAPPENBERG, 16th cen- tury, German school ; his style is closely re- lated to that of the brothers Diinwegge. Works : Crucifixion, Parish Church, Copen- hagen ; Holy Family, Miinster Museum. W. & W'., ii. 502 ; Zeitschr. f. b. K., xviii. GO. MASTER OF DEATH OF THE VIR- GIN, flourished in Cologne first half of 16th century, died there, 1556. German school ; painter of many altarpieces and portraits, identified by some writers with Jan Joest, though possibly his pupil, as he worked long after the death of that master, whose style is traceable in his early pictures. His later works resemble those of Quinten Massys and Mabuse so closely that they pass in several collections under those two masters' names, while many of his portraits have been as- cribed to Holbein. Of late, attempts have been made to identify this master with Jan Scorel, which seem to have much in their favor, but have called forth a lively con- troversy by opponents. Works : Death of Virgin, Cologne Museum (1515) ; do., SS. George and Nicasius, St. Christina, Clirist on the Cross, Repose in Egypt, Old Pinakothek, Munich ; Scenes from Life of Christ (1516), St. Mary's Church, Dantzic ; Adoration of Magi, Berlin Museum; do., Dresden Gal- lery ; do. (?), Hohenzollern Museum, Sig- maringen ; Altai-piece with Madonna and Angel, Madonna (2), Vienna Museum ; Be- wailing Christ, Louvre ; Adoration of Magi, San Donate, Genoa ; do., and Crucifixion, Naples Museum ; Madonna, Hermitage, St. Petersburg; Portraits in Cassel Gallery (1525), Cologne and Nuremberg (3) Muse- ums, Uffizi (1520) and Corsini Gallery, Flor- 218
