MILLER Kurtz, England ; Victory, O Lord ! (1871), Mrs. Leopold Reiss ; Yes or No ? A Som- nambulist (1871); Hearts are Trumps (1872), J. H. Seeker, England ; New-Laid Eggs (1873), Peter Eeid, England ; Early Days (1873) ; Scotch Firs (1873), James Mason, England ; Winter Fuel (1873), G. B. Worth- ington, England ; Northwest Passage (1874), C. F. H. Bolckow, Middlesborough ; Picture of Health (187-4), Hilton Philipson, England ; Still for a Moment (1874), J. S. Morgan, London ; Day Dream (1874) ; Forbidden Fruit (1875), Sir J. E. Millais ; Yes or No ? (1875), Mrs. Moir, England ; No ! (1875), H. A. Brassey, M.P. ; Deserted Garden (1875), D. Thwaites, England ; Fringe of the Moor (1875), T. H. Ismay, England ; Over the Hills and Far Away (1875), Kay Kuowles, England ; Crown of Love (1875) ; Getting Better (1876), Humphrey Roberts ; Stitch ! Stitch ! Stitch ! (187C), George F. Watts, R.A.; Sound of Many Waters (1870), David Price, England ; Yeoman of the Guard (1876), Mrs. Henry Hodgkinson ; Yes! (187(5); Good Resolve (1877), Julius Reiss ; Bright Eyes (1877), Mrs. Maedon- ald, England ; Effie Deans (1877), Robert Loder, M.P.; Jersey Lily (1878), H. Mar- tyn Kennard, England ; Princes in the Tower (1878), Holloway Institute, Egham ; St. Mar- tin's Summer (1878); Bride of Lammermoor (1878), W. H. Vauderbilt Collection, New York; Tower of Strength (1879), J. H. Renton, England ; Princess Elizabeth (1879), Holloway Institute ; Portrait of Gladstone (1879), Duke of Westminster; Cuckoo! (1880), Mrs. Bloomfield Moore ; Portrait of John Bright (1880), William Agnew, M.P.; Portrait of the Painter (1880), Uffizi, Flor- ence ; Caller Herrin' (1881), Walter Duulop, England ; Portraitof Tennyson (1881), James Knowles England ; Sweetest Eyes were ever Seen (1881), Everett Gray, England ; Cinder- ella (1881) ; Portrait of Earl of Beacousfield (1881), Right Hon. W. H. Smith, M P.; Por- trait of James C. Hook, R.A. (1882), J. C. Hook ; do. of Duchess of Westminster (1882), DukeofWestnrinster;DorothyThorpe(1882), J. Dyson Perrins, England ; Pomona (1882), Charles Neck, England ; Olivia (1882), E. J. Poole, London ; For the Squire (1882), H. F. Makins, England ; Princess Marie of Ed- inburgh (1882); Gray Lady (1883), T. Aguew & Sou, London ; Dropped from the Nest (1883), W. C. Quilter, M.P.; Unc Grande Dame, Forget-Me-Not (1883) ; Portrait of Marquis of Salisbury (1883), Right Hon.
- W. H. Smith, M.P.; Idyl of 1745 (1884),
Frederick Wigan, England ; Little Miss Muftett (1884), John M. Keiller, England ; Mistletoe Gatherer, Message from the Sea (1884) ; Portrait of Henry Irving (1884), Garrick Club ; do. of Marquis of Lome (1884); do. of Miss Scott (1884), Mrs. T. A. Scott, Philadelphia; Ornithologist (1885), Sir J. E. Millais ; Orphans (1885), J. S. Forbes ; Lady Peggy Primrose, Portrait of Gladstone (1885); another Portrait of Glad- stone (1885), Christ Church, Oxford. Mil- lais has designed numerous illustrations for books, including the "Poems of Tennyson," "Once a Week," "Good Words," "The Par- ables," "Framley Parsonage," and "The Small House at Alliugton." Collective ex- hibitions of his works were made at the Fine Art Society, London, in 1881, and at the Grosvenor Gallery, London, in 1885, when 131 oil pictures and 30 water-colour and pen-and-ink drawings were shown. Saudby, ii. 332 ; Portfolio (1871), 1 ; Zeit- schr. f. b. K, v. 309; vi. 374; Notes on Millais's Pictures at Fine Art Soc. (1881) ; j F. G. Stephens, Notes on Exhibition at Gros- venorGallery (1885); Art Journal (188G), 62 ; Spectator, Jan. 2, 1886. MILLER, ALFRED J., born in Balti- more in 1810, died in 1874. Portrait, fig- ure, and animal painter, pupil of Thomas Sully ; in 1833 studied in Paris, Rome, and Florence ; visited New Orleans in 1837, and later sketched in the Rocky Mountains ; visited Scotland in 1841, and painted the portraits of several members of the family of the Duke of Breadalbane. A valuable collec- tion of Indian pictures, from his Rocky Moun- tain sketches, is owned by Sir W. D. Stewart, 271
