LAUGEE iam the Conqueror (1853) ; LeSueur among the Carthusians (1855), Luxembourg Muse- um ; Harvester's Breakfast, On the Thresh- old, St. Elizabeth of France (1857) ; Bob- bers, Riding Lesson (1859) ; Good News, Gathering Carnations, Coming out of School (1861) ; The Infant, St. Louis washing the Feet of the Poor (18G5) ; Little Inquisitive (1866) ; Pia dei Tolomei, Little Girl of Pic- ardy (1869) ; Baptism of Clovis, St. Clotilda helping the Poor (1870) ; Louis IX. and his Three Favourites, Hymn to St. Cecilia (1874) ; Young Housekeeper (1875) ; Au- gel bearing a Censer (1876) ; Caudle of the Madonna (1877), Luxembourg Museum ; Going to Matins (1877) ; Old Man, Old Wom- an (1878) ; Triumph of Flora (1879) ; Servant of the Poor, The Truant (1880); The Ques- tion (1881) ; The Farm's Washing, For the Soup (1883) ; Pilgrims (1884) ; Day of the Poor at Nauroy (1885). Has also painted many portraits and mural pictures in chap- els of the Madonna at St. Pierre du Gros Caillou, SS. Peter and Paul at St. Quentin, and of St. Deuis in the Church of the Trin- ity, Paris. Bcllicr, i. 920 ; Bitard, 779 ; Oh. Blanc, Artistes do Mon Temps, 473 ; Larousse ; Meyer, Gcsoh., 636. LAUGEE, GEORGES, born at Monti- villiers (Seine-Inferieure) ; contemporary. Genre and portrait painter, son and pupil of preceding, and pupil of Pils and Henri Lehmann. Medal, 3d class, 1881. Works : Eepast of Mowers (1877) ; Gleaner Wom- an of Picardie (1878) ; Beet-Diggers in Picardie, Picardie Soup (1879) ; In Au- tumn, The Widow (1880) ; In October, 1863 Poor Blind Man (1881) ; Under Way to Harvest (1882); First Steps, The First-born (1883) ; Rest (1884) ; Gleaners, Three Ages (1885). LAURATI, PIETRO. See Lorenzetti. LAURENS, JEAN PAUL, born at Four- quevaux (Haute-Garouiie), March 28, 1838. History painter, pupil of Leon Cogniet and of Bida. Though occasionally defective in colour, his pictures are dramatic in style and spirited in execution. Medals: 3d class, 18G9; 1st class, 1872; ofhou- our, 1877 ; L. of Hon- our, 1874 ; Officer, 1878. Works: Death ofCatoatUtica(1863); Death of Tiberius (1864) ; Hamlet (1865) ; After the Ball (1866) ; Christ and the Angel of Death, Beaucaire's Supper (1867) ; Voice in the Desert (1868), Orleans Museum; Christ healing a Lunatic, Herod and his Daughter (1869) ; Jesus driven from the Synagogue, St. Ambrose teaching Honorius (1870) ; Death of the Due d'Enghien (1872), Alen- <;on Museum ; replica, Frank Work, New York ; Pope Formosa and Stephen VII. (1872) ; The Fishing at Bethsaida (1873), Toulouse Museum ; St. Bruno refusing the offerings of Count Roger of Calabria (1874), Church of Notre Dame des Champs ; The Cardinal, Martha (1874) ; Excommunication of Jlohrrl the Pious (1875), Luxembourg Museum ; The Interdict (1875), Havre Mu- seum ; Francis di Borgia before the Body of Isabella of Portugal (1876) ; Death of General Marceau (1877), Ghent Museum; Death of St. Genevieve (1878), Pantheon. Paris ; Release of those Immured at Carcas- sonne (1879), Luxembourg Museum ; H<m- orius (1880), D. O. Mills, New York ; The Examination (1881) ; Last Moments of the Emperor Maximilian (1882) ; Pope and In- quisitor, Walls of the Holy Office (1883) ; Vengeance of Urban VI. (1884) ; Faust (1885) ; Portrait of himself, Uffizi, Florence. Jecxn 1882. Bellier, i. 923 ; Montrosier, iii. ; Claretie, Peiutres (1884), ii. 273; London Daily News, May 15, 1878.