TRINITY Baptist ; below, the members of the Church Militant on the left the Pope and the clergy, on the right a cardinal encouraging the donor Landauer, who kneels with the female members of his family behind him, and the Emperor and laity ; at the bottom, a coast landscape, with the figure of Diirer himself standing at right. Painted for an altarpiece for the chapel of the Landauer TRINITY, DISPUTE OF THE, Andrea del Sarto, Palazzo Pitti, Florence ; canvas, H. 6 ft. 3 in. x 6 ft. 6 in. ; signed. SS. Au- gustine, Lawrence, Peter Martyr, and Fran- cis, standing, and SS. Sebastian and Mary Magdalen (likeness of Andrea's wife), kneel- ing ; above, the symbol of the Trinity in the clouds. Painted about 1517 for the convent of S. Agostino without the San Cloister, Nuremberg, which was dedicated , Gallo gate ; removed to S. Jacopo tra' Fossi in 1529, where it was damaged in the inundation of 1555 ; transported to Pitti in first half of 17th century ; copy by Ottaviano Vannini substituted for it in S. Jacopo. Engraved by Lorenzini ; Mam. Vasari, ed. Mil., v. 27 ; C. & C., It- aly, iii. 562 ; Gal. du Pal. Pitti, iv. PL 112 ; Rosini, iv. 206. TRTNQUESSE, L. R., flourished in Paris and at The Hague, second half of 18th century. French school ; portrait and figure painter, pupil of Largilli- ere ; was received into the guild at The Hague in 1767; rejected twice by the Academy in Paris ; exhibit- ed there as late as 1793. Works : Portrait of Young Lady with Music Leaf (1774), Berlin Museum; Portrait of Washington to All Saints ; hence the picture is some- (1779) ; Promenade in a Park, Two Women times called All Saints. Sent by Nurem- and a Man in Doric Temple before Statue of berg Council in 1585 to Emperor Rudolph Cupid, Morning, Afternoon (1782) ; Oath to Adoration of the Trinity, Albrecht Diirer, Vienna Museum. . at Prague, whence removed to Vienna. Original carved frame, made by Durer, still in Nuremberg. Copy by Johann Christian Ruprecht at Chateau of Laxenburg, near Vi- enna. Engraved in E. Forster's Denkmaler der deutschen Kunst (vi. 13) ; lithographed by Jutie Primisser. Thausing (Eaton), ii. 29 ; Forster, vi. Cupid, Offering to Cupid, Mother Reproach- ing Young Man (1785) ; First Kiss of Cupid (1787); Conversation in a Landscape, Couple offering their Child to Cupid (1791) ; Senti- mental Conversation in a Park, Lessons of Young Mothers (1793). Bellier, ii. 592 ; Kramm, vi. 1644 ; Meyer, Gemalde der kongl. Mus. (1883), 466/563. 898
