KINALDO vas, H. 2 ft. 7 in. x 3 ft. 7 in. Armida, armed with a dagger, is bending cautiously over Kinaldo, who, clad in splendid armour, lies sleeping at the foot of a tree ; overcome by love, as she contemplates his beautiful face, she withholds the blow, her arm being restrained by a cupid who has alighted be- side her. Engraved by J. Audran ; P. Du- pin. Smith, viii. 145. By Nicolas Poussin, Hermitage, St. Peters- burg ; canvas, H. 3 ft. 1 in. x 4 ft. C in. Ar- mida bends affectionately over the sleeping Kinaldo and places her hand on his breast ; at his head are two cupids, a third plays with his shield, and a fourth is on the farther side of a bank ; on opposite side, emblems of fertility and abundance ; on a cloud, Armida's splendid car, with spirited coursers, held by two nymphs. Engraved by Sanders. Smith, viii. 146. Subject treated also by Alessandro Tia- rini, Munich Gallery ; Francois Boucher (1734), Louvre ; Auguste Leloir (1879). KINALDO AND ARMIDA, HISTORY OP, David Teniers, younger, Madrid Mu- seum ; copper. Series of twelve pictures, each H. 9 in. x 1 ft. 3 in. : 1. Armida arrives at the Christian camp and presents herself to Godfrey de Bou- illon. 2. Godfrey deliberates with his compan- ions concerning the means of giving Armida the aid she asks for ; in the background, the death of Gernando at the hands of Rinaldo. 3. Charles and Ubaldo, seeking for Ri- naldo, who has fled the camp to escape the punishment of his deed, arrive on the banks of a river near Ascalon, where they hear of his ensnarement by Armida. 4. Rinaldo in the Island of Orontes. 5. Armida, in her chariot, conveys Ri- naldo asleep to the Fortunate Isles. 6. Charles and Ubaldo land in the Fortu- nate Isles. 7. The Gardens of Armida ; Rinaldo, dis- armed, with his head on the breast of the enchantress. 8. Separation of Rinaldo and Armida. 9. Rinaldo and his companions flee from the Fortunate Isles, and Armida disappears into the air in her chariot. 10. Prowess of Rinaldo against the Sara- cens. 11. Armida in her chariot incites the Saracens against Rinaldo. 12. Armida is about to stab herself when Rinaldo arrests her hand and is reconciled to her. RINCON, ANTONIO, born in Guadala- jara about 144G, died in Seville about 1500. Spanish school ; doubtfully said to have studied in Italy, either with Andrea del Castagno or Domenico Ghirlandajo ; paint- ed chiefly at Toledo ; became painter to Ferdinand and Isabella, whose portraits he frequently painted. Best extant work, al- tarpiece in Church of Robleda de Chavila, containing seventeen panel pictures of the Life of the Virgin. His son Fernando was also a painter. Stirling, i. 89 ; Ch. Blanc, cole espagnole. RING, HERMAN TOM, born at Mtin- ster in 1521, died there in 1597. German school ; history and portrait painter, son and pupil of Ludger the elder, but influ- enced by the Italians. "Works : Waking of Lazarus (1546), Crucifixion, Companion- piece to do., Minister Cathedral ; Crucifix- ion and others, also portraits, Art Union, Mi'mster ; twelve Prophets and Sibyls, Augs- burg Gallery ; Portraits of John of Leyden and Wife (1535), Schwerin Gallery. His son Nicolaus, who flourished second half of 16th and beginning of 17th century, was a follower of the Italian schools. Work : Entombment (1598), Ludgeri Church, Miin- ster. Kugler (Crowe), i. 268 ; Schlie, 524 ; W. & W., ii. 504 ; Zeitschr. f. b. K, xii. 256, 319. RING, LUDGER TOM, the elder, born at Miinster in 1496, died there in 1547. German school ; a versatile master, of a family of painters that flourished in Miin- ster in the 16th century. Works : Portraits of Man and Wife, Bust Portrait of Young Man (1536), Museum, Miinster ; God the
