Page:Cyclopedia of Painting-Armstrong, George D (1908).djvu/130

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CYCLOPEDIA OF PAINTING

place on a small quantity of blotting paper and allow it to remain a few minutes so that the oil may be extracted. If it is thought necessary the sample can be washed with benzine, but for painters' purposes the extraction of the oil by means of blotting paper is sufficient for the purpose. The two samples having remained on the blotting paper for a short time one grain of each is weighed out separately on little pieces of wax paper, this being used so that the color shall not stick to the scale. Then each grain is mixed separately with the white and the result compared as before. It is not too much to say that every painter should be prepared to make this test, because it informs him not only as to the tinting strength of the color, but also gives valuable information as to the tone. Of course the quantities may be varied if necessary, and a larger amount used instead of the single grains. It need hardly be pointed out that scrupulous cleanliness is necessary for successfully carrying out this test. The palette knife must be wiped between each operation and every care taken to do justice to both samples.

The Permanence of Colors. It must be admitted that it is very disappointing to a painter to find, after taking pains to produce the exact color required, that it flies or fades after a little exposure to the weather. The tests for the permanence of a color when exposed to light are simple enough, and are to mix a little of the colors to be tested in oil and to spread them on different slips of paper, cut the paper in half, number each half with corresponding figures or letters, expose one half to a strong light for as long as may be deemed desirable and put the other half away into a safe place where the light does not penetrate. Waxed paper is the best, as it will not absorb the thinners, or, better still, glass may be used, this being cut across with a diamond after the paint has been applied. It need hardly be said that the permanence of water colors is entirely different from that of oil colors. As far as pigments are con-