with Game drawn by Dogs, Flowers and Fruits in a Landscape, Brussels Museum; Eagle's Repast, Two Greyhounds, Antwerp Museum; Dead Game watched by Dog, Städel Gallery, Frankfort; do. (4), Cassel Gallery; do. (1), Augsburg Gallery; do. (4), Schleissheim Gallery; Deer pursued by Dogs, Bear Hunt, Dead Game (1650), Boar Hunt, Dogs Fighting, Old Pinakothek, Munich; Dead Game watched by Dogs (1649), Dead Birds, Diana by her Booty (figures by Quellinus, the younger), Deer Hunt, Berlin Museum; White Dog with Boy and Dwarf (1652, figures by Bosschaert), Still Life (5), Dresden Museum; Diana and Nymphs after the Chase (1650), Still Life and Dog (1652), Dead Game (2), Room in Hunting Lodge, Museum, Vienna; Deer Hunt (1655), Birds and Hare (1658), Cock Fight, Fox Hunt, Dogs attacking Bear, four others, Liechtenstein Gallery, ib.; others in Geneva, Lyons, Lille (2), Valenciennes (2), Dunkirk (2), Darmstadt (2), Brunswick (1), and Stockholm (5) Museums, Hermitage, St. Petersburg (2), Uffizi, Florence, Museum and Historical Society, New York, and Pennsylvania Academy, Philadelphia.—Biog. nat. de Belgique, vii. 394; Ch. Blanc, École flamande; Gaz. des B. Arts (1863), xv. 530; Michiels, ix. 191; Rooses (Reber), 423; Van den Branden, 1085.
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GABBIANI, ANTONIO DOMENICO, born at Florence in 1652, died there in 1726. Florentine school; history and portrait painter, pupil of Justus Sustermans and Vincenzo Dandini, then, through the patronage of Grand Duke Cosmo III., for three years in Rome, of Ciro Ferri. Visited Venice, where he improved his colouring; was invited to the court of Vienna, and painted there the portrait of the Emperor and some historical subjects for the Imperial Gallery. On his return to Florence he executed several altarpieces, notably a St. Philip, in the Church of the Padri dell' Oratorio. He was killed by a fall from a scaffold. Works: Rape of Ganymede, Madonna, portrait of himself (1686), Uffizi, Florence; Christ at the House of Simon, Dresden Gallery; St. Francis of Assisi receiving the Stigmata, St. Peter of Alcántara, formerly in Old Pinakothek, Munich.—Lanzi (Roscoe), i. 249.
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GABINIUS, ANTIOCHUS, Roman painter, middle of 1st century B.C. Pupil of Sopolis.—Cic. ad Attic., iv. 16; R.-Rochette, Schorn, 315.
GABL, ALOIS, born at Wies, Tyrol, in
1845. Genre painter, pupil of Munich
Academy under Schraudolph and Ramberg,
then under Piloty; followed Defregger in
the choice of his subjects. Was professor
at Munich Academy from 1878 to 1882.
Gold medal in 1884. Works: Haspinger
preaching Revolt (1872); Recruiting in Tyrol
(1873), New York Museum; Blessing the
Bridal Chamber (1875); Forbidden Dance-Music,
His Reverence as Umpire (1877);
Trial of Sewing-Machine (1878); Spinning-Lesson
(1879); Brewery Inn at Munich,
Three Magi and their Star (1883); Vaccination
Room (1885).—Müller, 189; Brockhaus,
vii. 442; Zeitschr. f. b. K., x. (Mittheilungen,
iii. 70), xix. 131, 208.
GABRIELLO, ONOFRIO, born at Messina
in 1617, died in 1706. Neapolitan
school; portrait painter, pupil of Antonio
Rücci; afterward, in Rome, of Pietro da
Cortona, and for nine years in Venice of
Maroli; returned to Messina, where he remained
till the revolution in 1674 compelled
him to leave Sicily, when he went to Padua.
