transferred to canvas, in Modena Gallery. Engraved by Fr. Van der Steen; Jos. Eissner.—Meyer, Correggio, 341, 492; Künst. Lex., i. 438; Gal. de Vienne, i. Pl. 18.
By Eustache Lesueur, Louvre, Paris; canvas, H. 4 ft. 2 in. × 3 ft. 7 in. The eagle bears aloft the young prince, whose attention is directed earnestly to the earth, seen below. Painted for the hôtel of President Lambert. Collection of Louis XVI. Engraved by Beauvais.—Landon, Musée, vi. 17; Filhol.
By Rembrandt, Dresden Gallery; canvas, H. 5 ft. 9 in. × 4 ft. 2 in.; signed, dated 1635. Ganymede borne to Olympus by an eagle. Acquired in 1751. Engraved by C. G. Schultze; Cardon.—Vosmaer, 442.
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GARBO, RAFFAELLINO DEL, born in
Florence in 1466,
died there in
1524. Florentine
school. Real
name Capponi,
but commonly
called del Garbo
(the Graceful).
Pupil of Filippino
Lippi, with
whom he remained
until about 1490. He was a weak
follower of his master's style. He appears
to best advantage in his Madonna with Angels;
Madonna with Saints and Angels; and
Madonna with Angels, Cherubs, and Saints,
Berlin Museum. The first-named group is
almost Raphaelesque in its conception.
Among other examples worthy of note are:
Madonna with Saints, Dresden Gallery;
Coronation of the Virgin, Louvre; Resurrection,
Florence Academy.—C. & C., Italy, iii.
415; Ch. Blanc, École florentine; Lübke,
Gesch. ital. Mal., i. 375; Vasari, ed. Le Mon.,
vii. 190; ed. Mil., iv. 233.
GARCIA HISPALETO, Don MANUEL,
born in Seville; contemporary. History and
genre painter, pupil of Seville Academy;
studied later in Rome. Works: Burial of
St. Chrysostom (1864); Apparition of St.
Agnes (1867); Starting for the Bull-Fight
(1871).
GARCIA Y MARTINEZ, Don JUAN,
born at Calatayud, Saragossa; contemporary.
History painter, pupil of Madrid
Academy. Works: Raising of Lazarus
(1856), Museum de la Trinidad, Madrid;
The Lovers of Teruel (1859); Death of King
Don Sancho; Death of Poet Macias; Liberation
of Francis I.; Charles II. as a Sorcerer
(1876); Procession of Our Lady (1881);
Penitent (1884).
GARDNER, ELIZABETH JANE, born
at Exeter, N. H.; contemporary. Figure
painter, pupil of H. Merle, Lefebvre, and
Bouguereau in Paris. Exhibits at National
Academy, New York, and Paris Salon.
Honourable mention, Paris Salon, 1879.
Studio in Paris. Works: Cinderella, C.
Crocker, San Francisco; Cornelia and her
Jewels (1872); Corinne (1874); Sorceress
(1875); Fortune-Teller (1876); Ruth and
Naomi (T. Wigglesworth, Boston), Moses in
the Bulrushes (1878); Maud Muller (1879);
Priscilla, Water's Edge (1881); Daphnis
and Chloë (1882); Captive (1883); Portraits,
J. H. Stebbins, New York; Improvised Cup
(1884), Corner of the Farm (1885), Knœdler
& Co., New York.—Portfolio (1879),
36.
GAREIS, ANTON, born in Prague in
1837. Genre and portrait painter, pupil of
his father and of Prague Academy under
Engerth; visited Dresden, Vienna, and Hungary.
Works: Twelfth Night (1862); Kirmess
(1863); Tavern Scene (1864); Hungarian
Gypsies Playing, Sunday Music in
Croatia (1868); Child's Play, Four Cartoons
to "As you Like It."—Müller, 192.
GARNERAY, AMBROISE LOUIS, born
in Paris, Feb. 19, 1783, died there, Sept. 11,
1857. French school; marine painter, pupil
of his father, Jean François (1755-1837),
portrait and genre painter, and scholar of
David. Love of adventure led him in 1796
to India, where he took part in several sea-fights,
and was taken prisoner in 1806 by
the English, who retained him in captivity
