Rest; Quod erat demonstrandum.—Illustr. Zeitg. (1882), ii. 435; Leixner, D. mod. K., ii. 67; Rundschau, xviii. 306.
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GOLTZIUS, HENDRIK, born at Mühlbrecht,
Duchy of
Jülich, in Feb.,
1558, died in Haarlem,
Dec. 29,
1616, or Jan. 1,
1617. Dutch
school; history,
portrait, and landscape
painter, although
his great
reputation rests
upon his skill as an engraver, which was exceptional.
He did not begin to paint until
he was forty-two years old. Unhappily
married to a rich widow much older than
himself, he lost his health, and by the advice
of his physicians travelled through
Germany (1590), then went to Rome and
(1592) to Naples. After his return to Haarlem
he suffered from the harsh climate and
gradually declined. He was a versatile,
skilful, and extravagant mannerist, who, like
Spranger, delighted in forced attitudes and
unnaturally-developed muscles, and caricatured
the style of Michelangelo, whom he
endeavoured to emulate. Works: Female
portrait, Brussels Museum; Adoration of
the Magi, St. Maurice Chapel, Nuremberg;
Adoration of the Shepherds, Stuttgart Gallery;
Ecce Homo, Gotha Gallery; The Deluge
(1592), Oldenburg Gallery; Titius attacked
by the Vulture (1613), Haarlem
Museum; Mercury presenting the Eyes of
Argus to Juno (1615), Rotterdam Museum;
Adam and Eve, Wiesbaden Gallery; Circumcision,
Baptism of Christ, Adam and Eve,
Hermitage, St. Petersburg;
Family Group,
Historical Society,
New York.—Allgem.
d. Biogr., ix. 361;
Ch. Blanc, École hollandaise;
Immerzeel, i. 287; Kramm, ii.
584; Van der Willigen, 133, 348.
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GOMEZ, JACINTO, born at San Ildefonso in 1746, died in 1812. Spanish school. History painter, pupil of Francisco Bayeu; chamber painter to Charles IV. Works: The Angelic Hierarchy adoring the Holy Spirit, Madrid Museum.
GOMEZ, SEBASTIAN, called El Mulato
de Murillo, born about 1646 (?), died in Seville
in 1682 (?) or 1690 (?). Spanish school,
the mulatto slave of Murillo; learned his
art by watching his master at work. According
to the story, he once ventured to finish
a Virgin's head which had been sketched
by Murillo, who thereupon encouraged and
aided him. His pictures, mostly religious
subjects, are defective in drawing and in
composition, but are much like Murillo's
in colouring. Works: Holy Family, Seville
Cathedral; Conception, Seville Museum;
St. Francis of Assisi, Hermitage, St. Petersburg.—Stirling,
ii. 928; Viardot, 226; Curtis,
340.
GONNE, (CHRISTIAN) FRIEDRICH,
born in Dresden, May 30, 1813. Genre,
history, and portrait painter, pupil of Dresden
and Antwerp Academies; lived then in
Berlin, Munich, and Rome, visited France,
England, and Sweden, and became professor
at the Dresden Academy in 1857. Honorary
member of the Dresden Academy in
1854, and of Antwerp Academy in 1859.
Works: Card-Players; Antiquary; Robber's
Repentance; Ballad-Singer; Conventional
Marriage; Kiss of Judas; Burning Memories
(1869), Kunsthalle, Hamburg; Lady
Macbeth (1872); Banquet in 16th Century
(1874); Portrait of King John of Saxony,
City Hall, Leipsic; Clown in State of Dejection,
Pennsylvania Academy, Philadelphia.—Brockhaus,
viii. 190; Müller, 212.
GONZAGA, FEDERIGO, Marquis of
Mantua, portrait, Raphael, lost (?). Begun
in 1513, but left unfinished. Represents a
young man of great beauty, dressed in black,
with a white shirt, and a red cap on his
head. Waagen and Passavant think it the
portrait at Charlecote Park, near Warwick,
England, which was formerly in collection