Song, Song of the Nubian Slave (1864); Rising of the Nile (1865); Bedouin Mother and Child (1872); Arab Improvisatore, Subsiding of the Nile (1873); Time of Roses, Egyptian Water-Carriers (1877); Palm Sunday, Daughter of Laban (1878); Water for the Camp (1879); Road to Mecca, Return from Mecca, Artist and Model, Rebecca (1881); Memphis (1882); Café at Cairo, Crossing the Desert (1883); Gordon's Last Messenger (1885). His son, Frederick Trevelyan Goodall (died April 11, 1871), was a painter of much promise.—Art Journal (1850), 213; (1855), 108; Sandby, ii. 331; Cat. Nat. Gal.
GOODWIN, ALBERT; contemporary.
Water-colour landscape and genre painter.
Exhibits at Royal Academy and Grosvenor
Gallery. Works: Venice, from S. Giorgio,
Venetian Butterflies (1875); Sixth Voyage
of Sindbad the Sailor, An Arabian Night
(1879); Low Tide in the Harbour (1880); A
Summer Sea, St. Michael's Mount—Cornwall
(1881); Voyage of Sindbad the Sailor,
Fisherman and Genius (1882); Enchanted
Lake, Scene from Tempest (1883); Passing,
Unveiling of the Enchanted Palace
(1884).
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GOOL, JAN VAN, born at The Hague in
1690 or 1691, died there in 1765. Dutch
school; landscape and animal painter, pupil
of Mattheus Terwesten and of Simon van der
Does. Imitated Paul Potter. He published
"De nieuwe Schonburg der Nederlantsche
Kunst-schilders," biographies of the artists
of the Netherlands, which work may be
considered as a continuation of that by Arnold
Houbraken. Twice visited England.
His works show the decadence of the
Dutch school in colouring, effect, and style.
Works: Landscape with Cattle, Amsterdam
Museum; Girl milking a Cow, Rotterdam
Museum; Landscape with Satyrs, Lille Museum;
Wood Landscape with Figures and
Herd (1719), Schwerin Gallery.—Immerzeel,
i. 288; Kramm, ii. 589.
GOOSE GIRL (Gardeuse d'Oies), Jean
François Millet, private gallery, New York.
A little peasant girl watching a flock of
geese. Sold by Pillet in Paris (1881), for
35,000 francs.
GORDON, Sir JOHN WATSON, born in
Edinburgh in 1790, died there, June 1,
1864. Son of Captain Watson, R.N., and
nephew of George Watson, portrait painter;
assumed name of Gordon in 1826. Having
first tried historical painting with little success,
he turned his attention to portraiture,
and became the leading portrait painter in
Edinburgh, after the death of Raeburn.
Elected in 1841 an A.R.A., and in 1851
R.A.; succeeded, in 1850, Sir William Allan
as President of the Scotch Academy, being
appointed at same time limner to the Queen
in Scotland, and knighted. Works: Sir
David Brewster, National Gallery, London;
Marquis of Dalhousie, De Quincey, Professor
J. Wilson, National Portrait Gallery, ib.;
Lord Murray, Lord Cockburn, Sir Walter
Scott, Grandfather's Lesson, six other male
portraits, National Gallery, Edinburgh; Earl
of Hopetoun, Earl of Dalhousie, Archers'
Hall, ib.; Sir James Hall, Royal Society, ib.—Redgrave;
F. de Conches, 416; Sandby,
i. 287.
GORGASUS, painter and modeller in
clay. Decorated, in company with Damophilus,
the Temple of Ceres, Liber, and
Libera, at Rome (dedicated 494 B.C.).—Pliny,
xxxv. 45 [154]; Brunn, i. 530; ii. 57.
GOSSART (Gossaert), JAN. See Mabuse.
GOSSE, NICOLAS LOUIS FRANÇOIS,
born in Paris, Oct. 2, 1787, died at Soncourt
(Haute-Marne), Feb. 9, 1878. History and
portrait painter, pupil of Vincent; painted
in a hall of the Louvre scenes from Greek
and Roman mythology. Medals: 3d class,
1819; 2d class, 1824; L. of Honour, 1828;
Officer, 1870. Works: Crossing the Styx
(1819); Adoration of the Magi (1827); The
