- rian Messenger Boy (1882); Hollyhocks
(1883). From Yuba's Kitchen—Ober Ammergau, was exhibited by Miss E. Greatorex in 1876, and The Bath in 1884.—Am. Art Rev. (1881), 12.
GREBBER, FRANS PIETERSZ DE,
born at Haarlem in 1570 or 1579 (?), died
there in 1649. Dutch school; history and
portrait painter, pupil of Jacques Savery.
Dean of the guild at Haarlem in 1627.
Works: Four Banquets of City Guard Officers
(1600, 1610, 1619), Haarlem Museum;
Lot and his Daughters (?), Schwerin Gallery.—Allgem.
d. Biogr., ix. 618; Schlie, 220;
Van der Willigen, 135.
GREBBER, PIETER DE, born at Haarlem
in 1600, died after 1665. Dutch school;
history and portrait painter, son and pupil
of Frans Pietersz and scholar of H. Goltzius.
His pictures recall Rubens and Lastmann.
Works: The Shepherds (1628), Works of
Charity (1628), Barbarossa and the Patriarch
of Haarlem (1630), Hippocrates refusing
the Presents of Artaxerxes (1637), Haarlem
Museum; The Apostles giving Alms to
the Poor, Oudemannenhuys, Haarlem; Jacob
receiving from his Sons the Bloody
Garment of Joseph, City Hall, Haarlem;
Portraits (3), Moses in the Bulrushes
(1634), Dresden
Museum;
Heraclitus
and
Democritus,
Oldenburg
Gallery.—Allgem.
d. Biogr., ix. 618; Van der Willigen, 137;
Rembrandt, ses Précurseurs, etc., 76.
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GRECHETTO, IL. See Castiglione, Giovanni Benedetto.
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GRECO, EL, born in Greece (or in Venice
of Greek parents?) about 1548, died in
Toledo in 1625. Spanish school; Real
name Domenico Theotocopuli (Teoscopoli);
surnamed in Venice, where he studied under
Titian, Il Greco (The Greek). Settled at Toledo
about 1577, and became known by an
altarpiece, Parting of Christ's Raiment, in
the sacristy of the cathedral, quite in Titian's
style. Called
to Madrid to paint
at the Escorial by
Philip II. His
best work is the
Burial of the
Count of Orgaz,
S. Tomé, Toledo.
Later he adopted
a grayish style of
colouring, and
greatly deteriorated. He left some good
portraits. Works: Dead Christ in the Arms
of God the Father, St. Paul, Crucifixion, Annunciation,
Holy Family, Baptism of Christ,
Male Portraits (8), Madrid Museum.—Stirling,
i. 276; Viardot, 107; Ch. Blanc, École
espagnole.
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Greengrocer, Gerard Dou, Louvre, Paris.
GREENGROCER, Gerard Dou, Louvre, Paris; wood, H. 1 ft. 3 in. × 9 in.; signed, dated 1647. At right, a woman, the greengrocer, standing behind a table holding balances in her hand; on other side of table,
