George's, Antwerp; Episodes in History of Flanders (1861-69), Town Hall, Ypern; Christ and Two Angels (1870), Ince Blundell Hall, near Liverpool; Scenes from Local History (1873-75), Town Hall, Courtray; Fall of Man, Redemption, Baptism of Christ (1879), St. Quentin's, Hasselt; Sacrifice of Melchisedek, Last Supper, Entry with the Ark of the Covenant into Jerusalem, Procession of Corpus Christi (1881), St. Joseph's, Louvain.—Müller, 223; Riegel, Wandmalerei in Belgien, 19, 39, 42, 46-62, 86, 105, 247; Gaz. des B. Arts (1864), xvii. 465; (1868), xxv. 74; Förster, Denkmale, VIII. iii. 23; Illustr. Zeitg. (1872), i. 227.
GUGEL, KARL, born at Bergzabern,
Rhenish Palatinate, April 12, 1820, died in
Munich, June 26, 1885. Genre and portrait
painter; painted at first in imitation of
Murillo's style, which he abandoned for the
representation of ideal female heads and
figures in the manner of Giorgione. Has
lived in Munich since 1852. Works: Lute-Player;
Gypsy Girl; After the Bath; Girl
Writing; Girl Reading; Gardener-Maid;
Mother and Child; Reading Aloud; Witches'
Ride to the Blocksberg; Lady of 17th
Century, New Pinakothek, Munich.—Müller,
224; Kunst-Chronik, xx. 669.
GUIAUD, JACQUES, born at Chambéry
(Savoy), May 15, 1811, died in 1876. Landscape
and architecture painter, pupil of
Watelet and of Cogniet. Medals: 3d class,
1843; 2d class, 1846. Works: Landscapes
and City views in Italy, Tyrol, and Germany
(1831-42); do. in Italy, Spain, and France
(1847-76); Castles Gieberg and St. Ulrich
at Ribeauville—Haut-Rhin, View of Procida
(1843); Castle of Henry IV. at Pau, View of
Steinach-Tyrol (1846); View of Antwerp
Cathedral, Amiens Museum; Château de
Madrid and Bois de Boulogne, Château and
Park at Monceaux (1866), Galerie des Cerfs,
Fontainebleau.—Bellier de la Chavignerie,
i. 719.
GUIBAL, NICOLAS, born at Luneville,
Nov. 29, 1725, died in Stuttgart, Nov. 3,
1784. French school; history painter, son
of the sculptor Barthélemi G., pupil of Claude
Charles in Nancy, and of Natoire in Paris.
Called in 1749 to Stuttgart by Duke Charles
Eugene of Würtemberg, who sent him in
1752 to Rome, where he studied under
Mengs. On his return in 1755 he was appointed
first painter to the Duke, as well
as professor and director of the gallery
of paintings. Works: Ceiling of Bath
House, Schwetzingen; Ceilings in Library,
ib.; also at Hohenheim, Monrepos, and
chapel at Ludwigsburg; Paintings in
churches at Zwiefalten, Gmünd, and Solothurn.—Allgem.
deutsche Biogr., x. 102;
Dussieux, Les artistes français à l'étranger,
239; Haakh, Beiträge, 5; Zeitschr. f.b. K.,
xii. 151.
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GUIDI, TOMMASO DI GIOVANNI. See Masaccio.
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GUIDO (Guido Reni), born in Bologna,
Nov. 4, 1575,
died there, Aug.
18, 1642. Bolognese
school.
Son of Daniele
Reni, a musician;
pupil of Denis
Calvart, afterward
of the Carracci.
For a time he was
the favourite pupil
of Lodovico, but he soon aroused so
much jealousy that he was dismissed from
the academy. After painting several years
in Bologna, where his pictures excited much
admiration, he went to Rome about 1608,
with his fellow-pupil Francesco Albani, and
notwithstanding the opposition of Caravaggio
and of Annibale Carracci, then at work
in the Palazzo Farnese, he soon won an
honourable position. Caravaggio was then
the fashion in Rome, and when Cardinal
Borghese gave Guido an order for the Cru-
