Blanc, École flamande; Bode, Fr. Hals und seine Schule (Leipsic, 1871); do., Studien, 35, 612; Gaz. des B. Arts (1864), xvi. 299; (1865), xviii. 103; (1868), xxiv. 219, 431; (1869), i. 162; (1885), xxxi. 349; Van der Willigen, 139, 348; Zeitschr. f. b. K., viii. 193; xviii. 347.
HALS, FRANS, the younger, born in
Haarlem between 1617 and 1623, died there
after 1669. Dutch school; genre and still-life
painter, son and pupil of Frans, the
elder, many of whose pictures he copied.
Works: Two Children Singing, Arenberg
Gallery, Brussels; Heads of Laughing Boys
(2), Royal Palace, ib.; Piper and Violin-Player,
Schwerin Gallery; Still Life (1638),
Königsberg Museum; do. (1640), Berlin
Museum; Hille Bobbe as Fish-wife, Dresden
Gallery; Interior of Peasant Cottage
(2, 1637,
1638), Carlsruhe
Gallery.—Bode,
Studien, 103, 219, 616; Gaz.
des B. Arts (1868), xxv. 398); (1869, i. 165;
Van der Willigen, 150; Zeitschr. f. b. K., v.
79; ix. 299.
 | An image should appear at this position in the text. To use the entire page scan as a placeholder, edit this page and replace "{{missing image}}" with "{{raw image|Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/223}}". Otherwise, if you are able to provide the image then please do so. For guidance, see Wikisource:Image guidelines and Help:Adding images. |  |
HALSWELLE, KEELEY, born at Richmond, Surrey, in 1832. Landscape, marine, and figure painter; studied drawing and engraving, and drew much on wood for Illustrated London News; went about 1855 to Edinburgh, and studied in schools of Royal Scottish Academy, exhibiting his first picture, In Vino Veritas, in 1857, and his Bridge of Sighs in 1858. In 1866 he became an A.R.S.A. In 1868 he went to Rome, and painted there his Roba di Roma (1869). Other works: Street Scene in Rome (1870); Contadini in St. Peter's (1871, sold in 1883, £1,732); Elevation of the Host (1872); Il Madonajo (1873); Roman Fruit Girl (1874); Marriage Procession (1875); Rome from the Sistine, Non Angli sed Angeli (1877); Play Scene in Hamlet (1878); Tug and Timber Barge (1880); Wittenham Clumps (1881); Shooter's Hill—Pangbourne (1882), Royal Windsor—Morning, Evening Mists (1883); Gleam of the Setting Sun, Rokeby, Bed of Water-Lilies (1884); Kilchurn Castle, Flying Scuds (1885).—Art Journal (1879), 49.
HAMAN, PUNISHMENT OF, Michelangelo,
Sistine Chapel, Rome; fresco on ceiling.
HAMEL, JULIUS, born at Dillenburg,
Nassau, in 1834. History and portrait
painter, pupil of Städel Institute, Frankfort,
under Jacob Becker, Steinle, and Passavant;
visited Dresden (1860), Munich (1861), Belgium
and Holland (1866), and Italy (1869-70),
and settled in Frankfort. Works:
Christ washing Peter's Feet (1857); Entombment
(1858), Frankfort Art Union;
Loreley (1859); Tetzel's Indulgence Traffic
(1864); Eginhard and Emma (1867); William
of Orange taking Farewell of Egmont
(1871); Seasons and Harvest-Joys (1874);
Taking of Egmont (1876); Countess Helpenstein
begging for her Husband's Life
(1879); Portraits of Professor Becker, Justinus
Kerner, Arthur Schopenhauer.—Müller,
234.
HAMILTON, CHARLES WILLIAM DE,
born at Brussels in 1668 or 1670, died at
Augsburg in 1754. Animal and still-life
painter, son and pupil of James Hamilton
(1640-1720, an able still-life painter, who
under Cromwell left Scotland and settled at
Brussels); also pupil of his brothers, John
George and Philip Ferdinand; entered the
service of Bishop Alexander Sigismund of
Augsburg, for whom he painted a great
number of pictures, several of which are now
in the royal galleries of Bavaria. Works:
Plants and Fruits, etc., Lyons Museum;
Weeds and Reptiles in the Woods, Carlsruhe
Gallery; Still Life with Plants and Insects
(2), Darmstadt Museum; do. (3), Stuttgart
Museum; do. (1), Schleissheim Gallery;
Reed-Birds, Quail, Saint Gall Museum;
Dead Fox and Game-Birds (1739), Schwerin
Gallery; two do. and two others, Mannheim
Gallery.—Wurzbach, vii. 264.
HAMILTON (Hammilton), FRANS DE,
flourished second half of 17th century.
Animal and still-life painter, either brother
