chose his subjects principally from the high mountains of the Alpine countries. Works: Rainy Weather in the Odenwald (1840), Schwerin Gallery; View of Salzburg (1841); The Staufen near Salzburg (1842); Mill in Tyrol (1846); Mountainous Landscape (1847), Leipsic Museum; Hallstadt Lake (1848); Gosau Waterfall (1850); Hohentwiel and Lake Constance; Alp near Lago Maggiore; Huts on Seelisberg on Lake Luzerne; Lauterbrunnenthal; Limburg on the Lenne by Moonlight; Lausanne and Lake of Geneva.—Kunst-Chronik, xviii. 418; Müller, 249.
HENNEBERG, RUDOLF (FRIEDRICH),
born at Brunswick, Sept. 13, 1825,
died there, Sept. 14, 1876. History and
genre painter, pupil in 1850-53 at Antwerp
Academy, then for three years in Paris of
Couture; visited Italy in 1861-63, lived
then in Munich until 1865, in Berlin in
1866-73, and in Rome in 1873-75. Member
of Berlin Academy in 1869; gold medal,
Berlin, 1856, 1868; Vienna, 1873. Works:
Bathing Students (1853); Gypsy and his
Love (1854), Brunswick Gallery; Wild Hunter
(1856), National Gallery, Berlin; two
replicas of do. (1871); Regenstein, Hare-Hunt
(1857); Wild Huntsman (1856, replica
in Schack Gallery, Munich), Criminal from
Lost Honour (1860), Fortune Chase (1868),
National Gallery, Berlin; Fairy Princess,
Declaration of Love, Objectionable People,
Germania Liberata (1869-71); Cycle of Wall-*paintings
with Scenes from War of 1870-71
(1872), Villa Warschauer, Charlottenburg;
Scenes from the Campagna (1873-75).—Allgem.
d. Biogr., xi. 768; Graph. K., v. 41;
Illustr. Zeitg. (1883), i. 245; Kunst-Chronik,
iii. 94; xii. 473; Schack, Meine Gemäldesammlung
(1885), 179; Rosenberg, Berl.
Malersch., 203.
HENNEBICQ, ANDRÉ, born at Tournay,
Belgium; contemporary. Portrait and
history painter, pupil of Portaels. Medals
at Brussels (1872), Amsterdam (1874), Paris,
2d class (1874); Order of Leopold. Studio
in Brussels. Works: Jeremiah's Lament;
Messalina insulted by the People; Doge
Foscari; Labourers in the Campagna; Sale
of Objects of Art (1883).
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HENNEQUIN, PHILIPPE AUGUSTE,
born in Lyons in 1763, died at Leuze near
Tournay, May 12, 1833. History and genre
painter, studied under Taraval, Gois, and
Brenet, and became one of David's best pupils.
Won the grand prix de Rome in 1788.
Obliged to leave Italy on account of his liberal
opinions, he returned to France, where
he several times narrowly escaped death
during the Revolution. In 1814 he retired
to Liège, and finally to Tournay, where he
became director of the Academy in the following
year. Works: Confederation of July
4, 1790 (1794); Remorse of Orestes (1798),
Louvre; Triumph of the French People
(1799), Rouen Museum; Self-sacrifice of
300 Citizens of Franchimont (1814); Socrates
and his Disciples; Catherine de Lalain;
Battle of Aboukir, Napoleon in the
Camp at Boulogne (1806), Allegory on Napoleon
I., Portrait of Marquis de Pérignon,
Versailles Museum; Saul and Witch of Endor,
Lyons Museum; Battle of Quiberon
(1804), Toulouse Museum; Crime pursued
by Remorse, Time, Fright, Young Man, Angers
Museum; others in Museums of Orléans,
Mans, and Caen.—Bellier, i. 755;
Immerzeel, ii. 31; Larousse; Lejeune,
Guide, iii. 125.
HENNER, JEAN JACQUES, born in
Bernwiller (Alsace), March 5, 1829. Genre
painter, pupil of Drolling and of Picot; won
the grand prix de Rome in 1858. His colouring,
at first weak and thin, has improved
from year to year. Usually paints nude
figures. Medals: 3d class, 1863, 1865, and
1866; 1st class, 1878; L. of Honour, 1873;
Officer, 1878. Works: Bathing Girl Asleep
(1863), Colmar Museum; Chaste Susanna
