in April, 1818. Landscape painter, pupil of Diday. Medals: 3d class, 1844; 2d class, 1846. Works: Morning in the Alps (1844); Sunrise, Cool Valley (1846); View of Montblanc (1853), School of Mines, Paris; replica reduced in Museum at Bagnères-de-Bigorre; Ascent of Mer de Glace by Emperor and Empress in 1860 (1861); Entry to Forest of Bellem, After the Rain (1870); View in Forest of Compiègne, do. near Trouville (1874); Cirque de Cavarni, Lake of Thünn, Bagnères-de-Bigorre Museum; Spring-banks of Seine (1884); Sunset in Valley of Faucigny (1885), Prince de Lucinge-Faucigny.—Bellier, i. 789.
HUGHES, ARTHUR, born in London in
1832. Genre and portrait painter, student
of Royal Academy, where he exhibited his
April Love in 1854. Belongs to the Pre-Raphaelite
school. Works: Eve of St. Agnes,
Music Party, Sunbeam in Church (1864);
Home from Work, The Mower, Silver and
Gold (1865); Good Night (1866); Sir Galahad,
Endymion (1870); Lady of Shalott,
Convent Boat (1873); Woodman's Return;
King's Garden; Burial of the Good Knight;
Vanity, Uncertainty (1878); The Old Neighbour
gone Before (1879); The Sailing Signal
Gun, Mittagsschläfchen (1881); Summer is
a-coming In, Skipper and his Crew (1882);
Memories, Home Quartette (1883); Ripe
Corn, Corner of the Common (1884); Sunday
Morning, Autumn, Rest by the Way
(1885).—Portfolio (1870), 113.
HUGHTENBURGH (Huchtenburg), JACOBUS
VAN, born at Haarlem in 1639(?),
died in Rome about 1670(?). Dutch school;
landscape painter, brother of Jan van Hughtenburgh,
pupil of Nicolaas Berchem. Travelled
in Italy and lived long in Rome. Landscapes
with Cattle (2, 1670), Copenhagen
Gallery; Roman Landscape, do. (1670),
Schwerin Gallery.—Immerzeel, ii. 62;
Kramm, iii. 765.
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HUGHTENBURGH (Huchtenburg), JAN
VAN, born in Haarlem in 1646, died in
Amsterdam in 1733. Dutch school; battle
painter, pupil of Thomas Wyck, in Rome of
his brother Jacob, and in Paris (1667) of
Van der Meulen. Before 1670 he returned
to Haarlem and began to deal in pictures.
The fame of his collection of battle-pieces,
hunts, etc, led in 1708 to commissions from
Prince Eugène, for whom he painted battle-pieces.
First manner best; afterwards became
melodramatic and empty. Works:
Battle, National Gallery, London; Cavalry
Charge, Siege of Fortified Town, Louvre,
Paris; Prince Eugène on Horseback (1692),
Two Skirmishes, Hague Museum; Skirmish,
Portrait of Prince Willem III., Amsterdam
Museum; Horse Market, Skirmish and Landscape,
Rotterdam Museum; Cavalry Charge,
Episode of a Battle, Brussels Museum; Boar-*hunt
(1674), Aschaffenburg Gallery; Attack
of Robbers, Basle Museum; Plundering of
a Village, Stag-Hunt (1674), Berlin Museum;
Skirmish on a Bridge, Attack of Robbers,
Brunswick Museum; Piazza Colonna in
Rome, Siege of Namur, Cassel Gallery; Street
Life in Italian Town (1707), Market Square,
Cavalry Skirmish on Hill, do. about Battery,
Review, Frolic at Sutler's Tent, Cavalry
Fight, Copenhagen Gallery; Cavalry Fights
(6, two dated 1718, 1720), Dresden Museum;
Storming of a Fortress, Festive Drive of
Louis XIV. over the Pontneuf (1674), Gotha
Museum; Cavalry Skirmish, Königsberg
Museum; Cavalry Skirmish, Attack upon
Convoy, Old Pinakothek, Munich; Hunting
Party Resting, Germanic Museum, Nuremberg;
Battle-pieces (2), Schleissheim Gallery;
Camp-Scenes (2), Attack of Robbers,
Visitors in Military Camp (1694), Battle
(1695), Cavalry Fight, Schwerin Gallery;
Surprisal of Wagon by Horsemen, Siege
of Namur, Vienna Museum; Skirmish by
Ruins, Czernin Gallery, ib.; The Riverside,
Historical Society, New York.—Immerzeel,
ii. 63; Kugler (Crowe), ii. 434; Kramm,
