Page:Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/326

• father, Dr. Rochcliffe performing Divine

Service in Cottage of Jocelyn Joliffe (1847); Flight of Madelaine and Porphyro (1848); Rienzi vowing to avenge his Brother's Death (1849); Converted British Family sheltering a Christian Missionary from Druids (1850); Valentine rescuing Sylvia (1851); Hireling Shepherd (1852); Claudio and Isabella, Our English Coasts (1853); Awakened Conscience, Light of the World (1854); Scapegoat, Finding of the Saviour in the Temple (1860); King of Hearts (1863); Afterglow in Egypt (1865); London Bridge on the Entry of Princess Alexandra, Isabella and the Pot of Basil (1868); Shadow of Death (1873), Manchester Art Gallery; Flight into Egypt, Italian Child, Plains of Esdraelon, Street Scene near Cairo (1877); The Ship (1878); Miss Flamborough (1882); Portrait of Dante Gabriel Rossetti (1884); Bride of Bethlehem, Triumph of the Innocents (1885).—Portfolio (1871), 34; Art Journal (1860), 158, 182; Rossetti, Fine Art, 233.

HUNT, WILLIAM MORRIS, born in Brattleborough, Vt., March 31, 1824, died at the Isles of Shoals, Sept. 8, 1879. Portrait, landscape, and figure painter; studied at the Royal Academy, Düsseldorf, in 1846, with the intention of becoming a sculptor. Nine months later became the pupil for a short time of Couture in Paris, after which he went to Barbizon to study with Millet, who influenced his work through life. In 1855 returned to the United States, opened a studio in Newport, and a little later settled permanently in Boston, where he had many scholars. Visited Paris in 1867. Works: Head of a Jewess; Priscilla, Thomas Wigglesworth, Boston; Farmer's Return (1849); Sheep Shearing at Barbizon; Fortune-Teller; Prodigal Son; Girl with a Kitten; Girl Reading; Girl Spinning; Violet Girl; Marguerite; Hurdy-Gurdy Boy; Drummer-Boy (1861); Bugle-Call (1864); Gloucester Harbour; Newton Lower Falls Coast Scene at Magnolia—Mass.; Dead in the Snow; The Lambs, Mrs. G. W. Long. Portraits: Chief Justice Shaw, Essex County Bar; Allan Wardner; Horace Gray (1865), Chief Justice Gray; Mrs. S. G. Ward (1867); of the Artist (1879), Peter C. Brooks, Jr.; of his Wife; Mrs. Charles Francis Adams; Mrs. G. W. Long; Wm. H. Gardiner; Hon. W. M. Evarts, Miss Mason. The Flight of Night, and the Discoverer, mural decorations in the Capitol at Albany (1878).—Am. Art Rev. (1880), 49, 93; Tuckerman, 447; Talks on Art, by W.M.H., edited by Helen M. Knowlton, two series (Boston, 1875, 1882).

HÜNTEN, EMIL JOHANNES, born in Paris, Jan. 19, 1827. Battle painter, pupil of Flandrin and of École des Beaux Arts under Vernet, then in Antwerp under Wappers and Dyckmans; settled (1851) in Düsseldorf, and became a pupil of Camphausen. In 1864 he accompanied the army during part of the winter campaign in Schleswig, and the Army of the Main in 1866; in 1870-71 he visited many of the battle-fields in France. Medals in Berlin (1872), Vienna (1873). Member of Berlin Academy since 1878. Works: Prussian Cuirassiers dashing over a Bridge (1852-53); Skirmish near Hennersdorf (1855); Skirmish at Reichenbach (1856), Provinzial Museum, Hanover; Battle of Zorndorf (1858); Patrol of Cuirassiers, General von Nostitz at Oeversee, Austrian Officer with Flag of Truce, Storming Düppel Earthworks (1865); Reconnoitring at Sadowa (1866); Episode from Battle of Crefeld, Blücher, Kiel Gallery; From the Time of Frederic the Great, Stettin Museum; Skirmish of Patrol near Thorstedt;