Portrait of the Princess de Broglie, Apotheosis of Napoleon I. (1853); The Virgin (1854, variation of Virgin with Host), Ministry of State; Joan of Arc holding the Oriflamme (1854), Louvre; Virgin of Consolation (1856); La Source (1856), Louvre; Saint Germaine de Pibrac (1857), Church of Sapiac; Virgin of the Adoption (1857); Molière dining with Louis XIV. (copy at Comédie-Française), Birth of the Muses (water-colour), The Spring (1858); portraits of his second wife and of himself (1859), Uffizi, Florence; Interior of a Harem (1864); Portrait of Mlle. Flandrin (1866); Sketch of Stratonice (1867).—Merson, Ingres, sa vie et son œuvre (Paris, 1867); F. de la Genevais (de Mercey), Peintres et sculpteurs modernes (Paris, 1846); Ch. Blanc, Ingres et son œuvre; Delaborde, Ingres, sa vie et ses travaux (Paris, 1870); Chesneau, Peinture française au XIX. siècle (Paris, 1883); Perrier, Études, 15; Gaz. des B. Arts (1861), ix. 343; (1861), x. 257; xi. 38; (1867), xxii. 105, 415; xxiii. 54, 193, 442; (1868), xxiv. 5, 340; xxv. 89, 228; (1870), iii. 112; iv. 495; Mirecourt, Ingres (Paris, 1858); Silvestre, L'Apothéose de M. Ingres (Paris, 1862); Rey, Biographie d'Ingres (Paris, 1867); Montrond, Ingres (Paris, 1869); Hamerton, French Painters; Macmillan's Mag., xxiv. 52; Contemporary Review, v. 458; Once a Week, xvi. 221; Art Journal (1867), 105, 151; L'Artiste (1867), i. 102; Zeitschr. f. b. K., ii. 170.
 | An image should appear at this position in the text. To use the entire page scan as a placeholder, edit this page and replace "{{missing image}}" with "{{raw image|Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/336}}". Otherwise, if you are able to provide the image then please do so. For guidance, see Wikisource:Image guidelines and Help:Adding images. |  |
INKERMAN, RETURN FROM, Mrs. Elizabeth Butler, London; canvas. Scene—Soldiers returning over the crest of the hill after the battle of Inkerman. A straggling column of weary, wounded, and dying men, painfully marching along a rough hillside; to the right, slightly in advance, rides a young staff officer with a wounded bugler clinging to his stirrup to help himself along. Engraved by W. T. Davey.—Portfolio (1877), 100.
| An image should appear at this position in the text. To use the entire page scan as a placeholder, edit this page and replace "{{missing image}}" with "{{raw image|Cyclopedia of painters and paintings (IA cyclopediaofpain02cham).pdf/336}}". Otherwise, if you are able to provide the image then please do so. For guidance, see Wikisource:Image guidelines and Help:Adding images. | |
INMAN, HENRY, born in Utica, N. Y.,
Oct. 20, 1801,
died in New
York, Jan. 17,
1846. Portrait,
landscape, and
genre painter, pupil
of John W.
Jarvis, in New
York. In 1844
visited England,
where he painted
the portraits of Wordsworth, Dr. John Chalmers,
Lord Chancellor Cottenham, Macaulay,
and other noted men; among his American
portraits are Bishop White, Chief Justice
Marshall, Jacob Barker, and the two sons of
Bishop Doane. Works: Rydal Falls—England;
Newsboy; Rip Van Winkle; Boyhood
of Washington; Ruins of Brambletye
House (1876), Wm. E. Dodge, New York;
Student, L. L. Stuart, ib.; October Afternoon;
Portraits of Henry Rutgers and
Fitz Greene Halleck (1828), Historical Society,
New York. At the time of his death
Inman was engaged on a series of historical
pictures for the Capitol at Washington.
His son, J. O'Brien Inman, genre painter,
has lived in Rome since 1866; is an Associate
of the National Academy, but rarely
exhibits.
INN, THE (L'Estaminet), Jan Steen,
Hague Museum; canvas, H. 2 ft. 3 in. × 2
ft. 8 in. Twenty or more persons gathered
in the tap-room of an inn, eating oysters,
drinking, smoking, and playing trick-track.
The upper part is covered with a large violet
curtain, partly drawn up, beneath which
is seen a balcony, and under that an elevated
stage, on which a boy is lying down,
blowing soap-bubbles. Sometimes erroneously
called Picture of Human Life. Bout
sale, Hague (1733), 515 florins; Benjamin
d'Acosta sale, Hague (1764), 1,745 florins,
to William IV. Engraved by Oortman in
Musée français.—Reveil, x. 688.
