Poor of the Village (1873); Expectation, Anxious Family (1874); Waiting for the Herring Boats (1875); Returning from the Field (1878); Alone in the World (1878), Amsterdam Museum; Breakfast Time, Dinner of Cobblers, Anniversary (1878); Frugal Meal, W. H. Vanderbilt, New York; Nothing more! Sewing School at Katwyk (1881); Silent Interview (1882); Fair Weather, Child Asleep (1883); Return (1884).
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ISUMBRAS, SIR, AT THE FORD, Sir John E. Millais, Bart., John Graham, Esq., London; canvas, H. 4 ft. 1 in. × 5 ft. 7 in. An ancient knight, clad in golden armour, who has attained all the glories of this life, has laid aside his pride to help two wood-*cutters' children over a river ford upon the saddle of his grand war-horse. The landscape, a sunset in the forest along the river's bank, was painted on the Tay. The verses in the Academy Catalogue, ascribed to the "Metrical Romance of Syr Ysumbras," were written by Tom Taylor. Royal Academy, 1857. Satirized in a caricature of the time entitled "A Nightmare" (by Frederick Sandys?), representing the artist on an ass, carrying Dante G. Rossetti and Holman Hunt, with Michelangelo, Raphael, and Titian on the distant bank, in attitudes expressive of horror of this last Pre-Raphaelite attempt. The picture was purchased originally by Charles Reade, the novelist.
ITTENBACH, FRANZ, born at Königswinter,
near Cologne, April 18, 1813, died
in Düsseldorf, Dec. 1, 1879. History and
portrait painter, pupil of the Düsseldorf
Academy under Theodor Hildebrandt and
Schadow; with the latter and Karl Müller
he visited Italy in 1839-41, and resided for
a time in Munich before returning to Düsseldorf.
For several years he was occupied
with fresco paintings in St. Apollinaris
Church at Remagen, and in 1864 in St.
Quirinus Church at Neuss. Professor;
Member of Vienna Academy. Medals in
Cologne (1861), Berlin (1868), and Besançon.
Prussian Order of the Crown, Belgian
Order of Leopold. Works: Christ Crucified—with
Mary and St. John (1845), Roman
Catholic Church, Königsberg; Baptism
of Christ (1849), Garrison Church,
Düsseldorf; Christ Crucified (1850), Prague
Gallery; Altarpiece in five Panels (1851),
Liechtenstein Gallery, Vienna; Mary Mediatrix
(1852); Virgin Enthroned, Assumption
(1858-61), St. Remigius Church, Bonn;
Holy Family (1861), Prince Liechtenstein's
chapel, Vienna; Holy Family (1862), Duke
of Hamilton's chapel, Baden-Baden; Madonna
(1862); Madonna (1864); 4 Altarpieces
(1865-68), St. Michael's Church, Breslau;
Holy Family in Egypt (1868), National
Gallery, Berlin; Portraits of Archbishop
Clemens August of Cologne, and of Queen
Stephanie of Portugal (1860).—Allgem. d.
Biogr., xiv. 644; Kunst-Chronik, xv. 178;
Art Journal (1865), 133; W. Müller, Düsseldorf
K., 48; Wiegmann, 172.
IVANOFF, ALEXANDER ANDREÉVICH,
born in St. Petersburg in 1806, died
there, July 18, 1858. History painter, son and
pupil of Andrei Ivanoff (1775-1846) and of St.
Petersburg Academy. During a twenty-seven
years' residence in Rome he occupied himself
almost exclusively in painting a colossal
Christ appearing to the People. Work:
Christ and Magdalen (1832), Hermitage, St.
Petersburg.—Zeitschr. f. b. K., xvii. 160.
JABIN, CH. G. GEORG, born at Brunswick,
Aug. 18, 1828, died at Harzburg,
Jan. 14, 1864. Landscape
painter, pupil of Düsseldorf Academy under
Schirmer in 1850-55; visited Switzerland
in 1857, and Norway in 1863; painted
mostly Swiss scenes in style of Ruysdael.
Works: Waterfall in Lin Valley, Brunswick
Gallery; Murchsee Fall; Forest Mill in Westphalia;
The Brocken by Moonlight; Eckerfall,
Regenstein; Falkenstein; Oker Valley;
Ilse Valley.—Allgem. d. Biogr., xiii. 522;
Dioskuren (1864), 51.