JACQUAND, CLAUDIUS, born in Lyons, Dec. 6, 1805, died in Paris, May 3, 1878. History painter, pupil of Fleury Richard. First exhibited in 1824, and in 1838 settled in Paris. His pictures, though well composed and drawn, are somewhat monotonous and dull in colour. Medals: 2d class, 1824; 1st class, 1836; Philadelphia Exposition, 1876; L. of Honour, 1839; Order of Leopold of Belgium. Works: Prison Court-*yard (1824); Sir Thomas More (1827), Lyons Museum; Death of Adelaïde de Comminges (1831); Presentation of Louis Labbé to Francis I. (1834); Cinq Mars and De Thou (1835), Voltaire arrested at Frankfort (1835), Neuchatel Museum; Comminges recognizing Adelaïde (1836), Lyons Museum; Four Ages of a Woman (1836); Jocelyn, Laurence waiting for Jocelyn (1837); Death of Young Gaston de Foix (1839), Leipsic Museum; Charlemagne crowned King of Italy (1838), Chapter of Order of St. John at Rhodes (1839), Versailles Museum; The Avowal (1840), Lyons Museum; After Dinner (1841); Henry of Burgundy invested with Portugal (1842), Versailles Museum; At once Minister and Doctor (1842); The Right of High and Low Jurisdiction (1845); Autumn Rents, Capture of Jerusalem (1846), Versailles Museum; Charles V. in Convent of St. Just (1847); The Orphans, The Blessing, Hamburg Museum; Christ on Golgotha (1850); St. Bonaventura refusing the Insignia of the Cardinalate (1852), formerly in Luxembourg Museum; Mayor of Boulogne refusing the Terms of Henry VIII. (1852), Hotel de Ville, Boulogne-sur-Mer; L'Amende Honorable (1853), formerly in Luxembourg Museum; Sacrilege (1853); Last Interview of Charles I. with his Children (1855), formerly in Luxembourg; Clemency of Peter the Great (1855); German Troopers (1857), Sir Richard Wallace; Perugino painting for Monks (1859), Dijon Museum; William the Silent selling his Jewels (1859), King of Holland; Convalescent Priest, Crust of Pastry, Presentation in Temple (1863), Ministry of Interior, Paris; La Vierge du Travail (1863), Cambrai Museum; Dante in Rome (1864); Easter, Two Misers (1865); Galileo before his Abjuration (1867), Amiens Museum; Guido d'Arezzo and his Pupils (1868); Bonaparte at Nice (1869); Christopher Columbus on his Death-Bed showing his Chains to his Son (1870); Death of St. Joseph (1872); Ransom of Sicilian Family captured by a Barbary Pirate (1873); Sacrilege, Chiefs of German Mercenaries (1874); Death of the Virgin, Monthly Collection (1875); Grief and Compassion (1876); Stella in Rome in 1698 (1877); Maria de Medici visiting Studio of Rubens, Cardinal visiting Ribera in his Studio, Nantes Museum; Maid of Palaiseau, Cambrai Museum; Rousseau taking Leave of Marshal de Luxembourg's Family, Neuchatel Museum; Gypsy Gang in Court-room, New Pinakothek, Munich; Frescos in St. Philippe du Roule, St. Bernard, Paris, and Chapelle de St. Ferdinand, Neuilly.—Bellier, i. 811; Larousse; Meyer, Gesch., 155.
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JACQUE, CHARLES ÉMILE, born in
Paris, May 23,
1813. Animal and
landscape painter,
engraver, and
etcher. Few
French artists
have a more widely
extended or
better deserved
reputation,
though more noted
as an etcher
than a painter, his colouring being somewhat
crude. He paints farmyard scenes in
perfection, and excels in accurate knowledge
of sheep and poultry, of which he is a fancier;
has also been called Le Raphael des
Porceaux, from his truthful pictures of pigs.
Medals: 3d class, 1861, 1863; Medal, 1864;
L. of Honour, 1867. Works: Herd of Oxen
driven to Watering Place (1849), Angers
Museum; Landscape with Cattle (1856),
