- ing (1863), W. T. Walters, Baltimore.—Bellier,
i. 818; Nouv. biog. générale; Ch. Blanc, Artistes de Mon Temps, 474; Hamerton, Painting in France; Meyer, Gesch., 367.
JALEO, EL, Raimundo de Madrazo,
Henry C. Gibson, Philadelphia. A gypsy
girl, mounted on a table in the court of the
Casa de Pilatos, Seville, dancing the jaleo;
behind her are several torreros, one playing
a guitar, and in front, seated under the
banana trees, is a female companion, watching
the performance.—Art Treas. of Amer.,
i. 70.
JALEO, EL, John S. Sargent, T. Jefferson
Coolidge, Boston. El Jaleo, or Dance of
the Gitanos. In foreground, a gypsy girl
is executing a slow, measured, voluptuous
dance, the principal movement being with
the arms and body; in background, ranged
against a white wall, on which their shadows
are thrown by strong lamplight, are a row
of black-robed musicians. Original subject,
strongly rendered in manner of Velasquez.
Paris Salon (1882). Engraved by Hél. Dujardin.—Art
Journal (1882), 217.
JALYSUS, picture. See Protogenes.
JAMES OF COMPOSTELLA, ST., Titian,
S. Lio, Venice; canvas, arched, figure life-size;
signed. St. James receiving the ray
from heaven; in the distance, the Baptist
kneeling, and a knight to the left, sitting.
Painted about 1565. Injured by time and
repainting.—C. & C., Titian, ii. 355.
JAMES AND JOHN, CALLING OF (St.
Matt. iv. 21), Marco Basaiti, Venice Acad.;
wood, arched, H. 15 ft. × 8 ft. 6 in.; signed,
dated 1510. Christ, with Peter and Andrew
on a rocky shore (Sea of Galilee); James
kneeling to receive a blessing; John stepping
out of boat in which Zebedee is sitting.
Painted for S. Andrea della Certosa, on one
of the islands of Venice.—Zanotti, Pin. dell'
Accad. Ven., Pl. 17; C. & C., N. Italy, i. 263.
JAMES, ST., Guido Reni, Madrid Museum;
canvas, H. 4 ft. 5 in. × 3 ft. Figure
half-length, life-size. Collection of Doña Isabel
Farnese.—Madrazo.
JAMESONE (Jamieson), GEORGE, born
at Aberdeen, Scotland, in 1586, died in Edinburgh
in 1644. History, portrait, and landscape
painter, student of Rubens at Antwerp,
where he was a fellow-pupil of Van Dyck;
returned to Aberdeen in 1620, but removed
to Edinburgh about 1630-35. Charles I.
sat to him in 1633 for a full-length. His
manner is so much like that of Van Dyck
that he is sometimes called the Scottish
Van Dyck. Many works in the houses of
Scottish nobility.—Redgrave; Taylor, 135;
Fine Arts in Great Britain and Ireland, ii.
326; F. de Conches, 21.
JAN MET DEN BAARD. See Vermeyen.
JAN VAN CALCAR. See Kalkar, Hans
von.
JAN WALTER VAN ASSEN. See Cornelisz,
Jacob.
JANET. See Clouet.
JANET-LANGE, ANGE LOUIS called,
born in Paris, Nov. 26, 1815, died there,
Nov. 25, 1872. History painter, pupil of
Colin, Ingres, and of Horace Vernet, who of
the three especially influenced his style. He
was a careful painter, of no great talent, and
often employed as a decorator and illustrator.
Medal, 3d class, 1859. Works: The
Stud (1836); Christ in the Garden (1839);
Isaac blessing Jacob (1843); Abdication at
Fontainebleau (1844), Tours Museum; Good
Shepherd (1845); Kiss Given and Returned
(1846); Pilgrims of Emmaus (1849); Nero
in the Chariot Race (1855); Napoleon III.
helping the Sufferers by the Inundation at
Lyons (1857); Incident of the Battle of
Koughil (1859); Napoleon III. and his Staff
at Solferino (1861); Battle of Altesco (1864);
Pheasant Shooting at Compiègne (1865); His
Last Friend, Going to the Ambulance (1866);
Incident of Siege of Puebla (1868); Crossing
the Gemmi (1870).—Athenæum (1872), ii.
738; Larousse.
JANK, CHRISTIAN, born in 1833. Architecture
painter, pupil in Munich of Emil
Kirchner. His architectural views in Germany,
Italy, France, and Spain are well
conceived, excellent in perspective, and
