Conscience sustaining Duty (1865); Gentleness, Descent from Cross (1866); Bouquet of Roses (1872); Mysteries of Bacchus (1873); The Sea (1878); Electra (1883); Office of Municipal Council of Paris (1885); and many portraits and decorative works.—Bellier, i. 830; Gaz. des B. Arts (1862), xii. 202; (1866), xx. 366, 513; Larousse.
JOCONDE, LA. See Mona Lisa.
JODL, FERDINAND, born in Munich in
1805. Architecture painter, pupil of Domenico
Quaglio. Works: Interior of Frauenkirche
in Munich; Castle Hohenschwangau,
View of Maria Hilf Church, and two
other Views in Munich (1828), New Pinakothek,
Munich; Interior of Ulm Cathedral;
St. Sebaldus in Nuremberg.—Müller, 284.
JODOCUS OF GHENT. See Justus of
Ghent.
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JOEST, JAN, born probably at Calcar
about 1460, died at
Haarlem in 1519. History
painter, first instructed
at Calcar,
then formed himself
undoubtedly in the
school of Haarlem,
whence he seems to
have returned to Calcar
in 1505, and began
to paint the great altarpiece
in the parish church of St. Nicholas,
representing, in twenty panels, the Life,
Passion, and Triumph of Christ, containing
216 figures, which was completed in 1508.
This shows him to have been a skilful master,
trained in the old school of the Netherlands.
In all probability he then returned
to Haarlem, where he seems to have spent
the remainder of his life, and where he was
buried in the cathedral of St. Bavon. A
Holy Family, attributed to him, is in the
Brussels Museum.—Allgem. Zeitg. Oct. 28,
1874; Förster, ii. 156; Hotho, Gesch., ii. 188;
Kunst-Chronik, x. 74; Wolff, Die Nicolaipfarrkirche
zu Calcar (Calcar, 1880), 17, 58; W.
& W., ii. 492; Zeitschr. f. b. K., xi. 339, 374.
JOHANN VON KÖLN, German school,
15th century. History painter, joined the
brotherhood of Agnetenberg, near Zwoll, in
1440; was an artist of much inventive power.
Work, Adoration of Magi, Berlin Museum.—Allgem.
d. Biogr., xiv. 460; Merlo, Nachrichten,
219.
JOHANNOT, (CHARLES HENRI) ALFRED,
born at Offenbach on the Main,
March 21, 1800, died in Paris, Dec. 7,
1837. History painter, brother and pupil
of the engraver Charles Johannot (1788-1825).
First known as an engraver of the
works of Ary Scheffer and Vernet. His
pictures are distinguished for their good
colour and careful elaboration of detail.
Gold medal, 1831. Works: Arrest of Jean
de Crespierre (1831); Entry of Mlle. de
Montpensier into Orléans during the War of
the Fronde, Announcement of the Victory
of Hastenbeck (1833); Francis I. and Charles
V. (1834); Cromwell, Mme. d'Ancre (1834);
Henry II. and Catherine de Medicis with
their Children, The Courier Verner bled by
the King (1835); Mary Stuart leaving Scotland
(1836); St. Martin giving away Half
of his Cloak; Anne of Este arriving at Court
of Charles IX. (1837); The Battle of Brattelen,
1444 (1838), Battle of Rosebecque,
1382 (1839), Funeral of the Victims of July
28, 1835, Versailles Museum.—Bellier, i.
831; Ch. Blanc, École française, iii.; Lenormant,
Beaux Arts, i. 233; Meyer, Gesch.,
435; Nouv. biog. gen., xxvi. 785.
JOHANNOT, TONY, born at Offenbach
on the Main, Nov. 9, 1803, died in Paris,
Aug. 4, 1852. History painter, brother and
pupil of Alfred, whom he assisted in engraving
the illustrations to the works of Walter
Scott, Cooper, and Byron. Though somewhat
weak in drawing, his first Salon pictures
(1831) were attractive and solid in execution.
Works: Woman giving Soldier a
Drink (1831); Death of Duguesclin (1835);
Battle of Fontenay (1837), Battle of Rosebecque
(1839), Versailles Museum; Boyhood
of Duguesclin (1840); The Siesta, Halt,
Louis VII. forcing the Passage of the Meander
(1841), Versailles Museum; Louis
