Interrupted (1883); Maréchal Niel Rose, York and Lancaster Roses, Lost Chord (1884).
JOPLING, LOUISE, born in Manchester,
Nov., 1843. Born Louise Goode; married
Mr. Romer (died 1872), Secretary to
Baron Nathaniel de Rothschild, Paris, where
she studied art under Charles Chaplin in
1867-68; returned in 1868 to England and
married second in 1874 Mr. Joseph Middleton
Jopling. Exhibited her first picture at
Royal Academy, Bud and Bloom, in 1871.
Works: Five O'clock Tea (1874); Elaine,
Modern Cinderella (1875); Five Sisters of
York (1876); Weary Waiting, It might have
Been (1877); Pity Akin to Love (1878); Fair
Rosamond, Children in the Wood (1881);
Phyllis, Ellen Terry as Portia (1882); Daisy,
Phyllis, Summer Snow, Saturday Night
(1883); Christabel, From my Gondola, Fair
Venetian (1884); Little Bo-Peep (1885).
JORDAENS, HANS, the younger, surnamed
de lange Jordaens, born in Antwerp
about 1595, died there after July 14, 1643.
Flemish school; history painter, probably
son and pupil of Hans Jordaens, the elder,
who entered the guild at Antwerp in 1582,
and by whom there is a Banquet Scene in
the Dresden Gallery; master of the guild
in 1620. Not to be confounded with the
different Jordaens of Delft. Works: Crossing
the Red Sea, Antwerp Museum; do.,
Hague Museum; do., Oldenburg Gallery;
do. (2, one dated 1624), Berlin Museum;
do., Hermitage, St. Petersburg; do., Hampton
Court Gallery; do., Pinacoteca, Turin;
Art-Cabinet, Vienna Museum.—Meyer, Gemälde
d. Köngl. Mus., 223; Riegel, Beiträge,
ii. 293; Rooses (Reber), 352.
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JORDAENS, JAKOB, born in Antwerp,
May 19, 1593, died there, Oct. 18, 1678.
Flemish school; history painter, scholar of
Adam van Noort, whose daughter he married;
received as master in the painters'
guild in 1615, and in the following year
married Katherine, his master's daughter.
Instead of going to Italy, he studied the pictures
of the great Italian masters, especially
Titian, at home, and becoming intimate with
Rubens, assisted him in preparing cartoons
for the tapestries of the king of Spain. With
a fine feeling for
colour and chiaroscuro,
great facility
and skill in composition,
Jordaens
wants taste and elevation
of style, is
often but a vulgar
Rubens. In 1641
he built a fine
house at Antwerp,
where he spent the greater part of his
life. Works: Judgment of Solomon,
Marriage of St. Catherine, Christ and St
John, Meleager and Atalanta, Holocaust to
Pomona, Diana's Bath, Family Scene in a
Garden, Wandering Musicians, Madrid Museum;
Christ driving out the Money Changers,
Last Judgment (1653), The Four Evangelists,
Infancy of Jupiter, Twelfth Night,
As the Old sing so the Young Twitter, Portrait
of Admiral Ruyter, Louvre, Paris;
Christ and the Pharisees, Distress of the
Prodigal, The Apostles, Twelfth Night, Susanna
and the Elders, Lille Museum; Visitation,
Nativity, Lyons Museum; Miraculous
Draught of Fishes, Marseilles Museum;
Christ and the Woman taken in Adultery.
Rennes Museum; Christ with Martha and
Mary, An Elder, Rouen Museum; Last Supper,
Sisters of Charity, Entombment, Adoration
of the Shepherds, Pegasus, Commerce
and Industry protecting the Arts, Human
Law based on Divine Law, Lady's Portrait,
Museum, Antwerp; Martyrdom of St. Apollonia,
Augustine's, ib.; St. Charles Borromeo
interceding for the Plague-stricken at Milan,
St. James's, ib.; Christ on the Cross, St. Paul's,
ib.; St. Martin expelling an Evil Spirit (1630),
Allegory on Fertility, Satyr and Peasant,
Triumph of Prince Frederik Hendrik of
Nassau, Allegory on Vanity, Eliezer and
Rebekah, Museum, Brussels; As the Old
Sing so the Young Twitter, Arenberg Gallery,
ib.; St. Ambrose, Reconciliation, Christ
and the Woman taken in Adultery, Ghent
