- ily (1832); Proposal of Marriage in Helgoland
(1834), Windlass in Normandy (1843), Death of the Pilot (1856), Old Sailor's Home on Dutch Coast (1866), Widow's Comfort (1866), National Gallery, Berlin; Forgotten Boots, Evening in Helgoland, Return of the Pilots (1835); Pilot's Alarm-Bell (1838-39); Pilot's Examination (1842); Scene on the Downs after Storm (1844); Women calling Men to the Rescue of Ship (1845); Saved from Shipwreck (1848), Dresden Gallery; First Lie (1849); Burial of Youngest Child, Provinzial Museum, Hanover; Women praying in the Storm (1852); Helgoland Pilot Family burying Child (1857), Ravené Gallery, Berlin; Return of the Fisherman; Morning after Wedding (1861), Leipsic Museum; Soup for the Sick (1862), Expectation, Düsseldorf Gallery; Soup-Day in French Convent (1868), Cologne Museum; Coast-Watch, Frauenhuys in Amsterdam, Burial of Old Sailor, Shipwrecked People in Tavern on Coast (1872); Waiting-House near Scheveningen; Happiness and Labour; Missing Boat (1876); Tavern on Dutch Coast (1884).—D. Kunstbl. (1858), 287; Dioskuren, 1866-69; Jordan (1885), ii. 109; Müller, 307; Wolfgang Müller, Düsseldf. K., 215; Rosenberg, Berliner Malerschule, 45; Wiegmann, 287.
JORIS, PIO, born in Rome in June, 1843.
Genre and landscape painter, pupil of Academy
of San Luca and of Fortuny; visited
Venice, Munich, and Paris in 1869, London
in 1870, and Spain in 1871-72. President
of Società d' acquerellisti in Rome, honorary
member of Sociéte beige des aquarellistes,
member of several Art-Unions; Italian
Crown Order, Bavarian Order of St. Michael;
Gold medal, Munich, 1869; twelve
medals in 1878-81. Works: Roman Peasant
Girl and Shepherd
(1866); Greeting of the
Virgin Mary (1867); Wedding
in Palombara, Sabina,
Hasty Meal, Concert
in Genazzano (1868); Sunday
Morning before the
Porta del Popolo (1869);
Via Flaminia in the Rain
(1870); Saladad, Spanish
Dance (1872); Art Amateurs,
Beggar in Toledo
(1872), Reitlinger Gallery,
Paris; Return to Convent
(1873); Young Greek Woman,
Poet after Festival
in Villa d'Este (1874); Parson
as Antiquary (1875);
Return of Orphans, Baptism
in Roma Priora
(1876); After Vespers, Forio d'Ischia (1877);
Baptism in Ischia (1878): Replica, Neapolitan
Head (1879); Pastime in Last Century,
At the Antiquary's (1880); Arch of Titus in
Rome, Woman of Sonnino, Woman of Jerusalem,
Cardinal going to Consistory (1881);
Odalisque (1882); Flight of Pope Eugenius
IV. (1883), National Gallery, Rome; Poor
Soldier as Ballad Singer (1883).—L'Illustr.
italiana (1875-77); Meyer, Conv. Lex., xviii.
531, 629; xix. 574; xxi. 549, 564.
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Chastity of Joseph, Johan Bilevelt, Uffizi, Florence.
JOSEPH AND HIS BRETHREN, Murillo, Sir Richard Wallace, Bart., London; canvas, H. about 5 ft. × 7 ft. In centre, four figures, among them, Joseph, in a scanty white gar-
