of Marcellus, Achilles in Female Attire discovered by Ulysses (for Catherine II.), Nathan and David, St. Joachim, St. Ann and Infant Christ (1785-88); Cupid, Holy Family, Circe and Heros, Telemachus received by Calypso, Adonis going to Hunt, Mother of the Gracchi, Brutus condemning his Sons to Death, Agrippina with the Ashes of Germanicus, Venus and Euphrosyne, Cupid leading Bacchus to Ariadne, Pyrrhus carried by Nurse to Glaucias, Death of Alcestis, Praxiteles giving to Phryne Statuette of Cupid, Phryne tempting Xenocrates, Egeria with Numa Pompilius, Nathan upbraiding David, Venus advising the Bride of Menelaus to love Paris, Ovid in Exile writing his Elegies, First Meeting of Hero and Leander, Nymph with White Veil, Abraham casting off Hagar, Annunciation, Christ and the Children (1788-98); Religion surrounded by Virtues (1798), National Gallery, London; Ariadne and Theseus, Dresden Gallery; Scene from Ossian's Songs; Madonna, Aschaffenburg Gallery; do. in Glory, Omnia Vanitas, Mary of Egypt (1798-1800); Christ and the Woman of Samaria (1799), New Pinakothek, Munich; Coriolanus going into Exile (1802); Cleopatra and Augustus; Birth of John the Baptist, St. Magdalen (1803); Orpheus and Eurydice; Messalina's Sacrifice; Memory of General Stanwick's Daughter; Interview between Edgar and Elfrida; Unna and Abra, Samma at Benoni's Grave; Cupid drying Psyche's Tears; Yorick and the Monk of Calais, Yorick and Juliette (Sterne's "Sentimental Journey"), Adieux of Abelard and Heloise, Hermitage, St. Petersburg; Thetis bathing Achilles in Water from the Styx, Rinaldo and Armida, Subject from Ancient History, Academy, ib.; Holy Family, Young Girl combing her Hair, Girl and Old Man, Female Figure, Museo Civico, Venice; Sibyls (2), Pinacoteca, Turin; Virtue directed by Prudence to avoid the Solicitations of Folly, Pennsylvania Academy, Philadelphia. Portraits: Monsignore Nevroni, Bishop of Como (1752); Christian III. of Denmark (1767); Royal Family of Naples (1782-84); Prince Poniatowski (1785); Raphael Mengs (2); Goethe; Lady Hamilton; Antonio Zucchi (2); Young Lady as Sibyl, do. as Vestal, Dresden Gallery; Winkelmann, Städel Gallery, Frankfort, and Zürich Gallery; Louis I. of Bavaria as Crown Prince (1805), New Pinakothek, Munich; do., Schleissheim Gallery; A Lady, Stuttgart Museum; Duchess of Brunswick, Hampton Court Palace; Architect Novosielski, National Gallery, Edinburgh; Portrait of Herself, National Portrait Gallery, London; do., Berlin Museum; do. (1784), Old Pinakothek, Munich; do. (3), Ferdinandeum, Innsbruck; do., Pennsylvania Academy, Philadelphia.—Allgem. d. Biogr., xv. 466; Ch. Blanc, École allemande; Dohme, 1ii.; Förster, iv. 35; Goethe, Winckelmann u. sein Jahrh., ii. 135; Guhl, 163; Reber, i. 86; Riegel, 47; Sternberg, Berühmte deutsche Frauen, i.; Weinhart, Leben der A. K.; Wurzbach, xi. 44; Rossi, Vita di A. K. (Florence, 1810); Wessely, Kunstübende Frauen, 73.
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KAUFFMANN, HERMANN, born in
Hamburg, Nov. 7,
1808. Genre and
landscape painter,
pupil in Hamburg of
Gerdt Hardorff, then
of Munich Academy;
has visited the Bavarian
and Tyrolese
Alps, Norway, and
North Germany; lives
in Hamburg. Works:
On the Seashore (1842), Darmstadt Museum;
Bavarian Mountaineers resting on
Rocky Path (1841), Midday Rest during Harvest,
Freight Wagon before Smithy (1843), Return
from the Alp, Snow Landscape (1848),
Road through the Heath, Ferry in Tyrol,
Village View with Peasants, Wood-Carters
in the Snow, Kunsthalle, Hamburg; Postil-
