(1865), Hafiz at the Fountain, Idyl from Tivoli, Roman Family Scene, Portrait of Nanna, Schack Gallery, Munich; Medea preparing for Flight (1870), New Pinakothek, ib.; Medea brooding over Infanticide (1871); Boys and Dryad (1865), Medea mourning over the Urn (1873); Banquet of Plato (1867); Orpheus and Eurydice (1870); Iphigenia (1871), Stuttgart Gallery; Gypsies dancing in the Woods, Judgment of Paris (1870), Kunsthalle, Hamburg; Battle of Amazons (1872); Romeo and Juliet; Melancholy; Prometheus; Banquet of Plato (1873); Concert of Venetian Girls (1879).—Brockhaus, vi. 751; Graph. K., iii. 1; Kunst-Chronik, xv. 238; xvii. 393, 429, 459; Illustr. Zeitg. (1880), i. 88; ii. 564; N. illustr. Zeitg. (1880), i. 250; Schack, Meine Gemäldesammlung, 95; Zeitschr. f. b. K., viii. 161.
FEYEN, EUGÈNE, born at Bey-sur-Seille
(Meurthe), Nov. 13, 1815. Genre
painter, pupil of P. Delaroche; paints fishermen
in a very attractive way. Medals:
1866; 2d class, 1880; L. of Honour, 1881.
Works: Street Musicians, Promenade in
the Park (1866); Souvenirs, Idyl on a Wall
(1868); Gleaners of the Sea (1872), Luxembourg
Museum; Oyster-Fishing at Cancale,
Bull-Head Fish, On the Shore (1874); Rescued
Child, Fisherman's Return (1879); Cancale
Fishwives returning in a Boat, Nurse
Asleep (1880); Fishing on Foot for Oysters,
Fishermen's Departure (1881); Harvesters
Resting, Low Tide (1882); Fishing, Repairing
the Nets (1883); Departure for Fishing,
Fisherman's Wife (1884); Before the Storm,
Bay of Cancale (1885).
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FEYEN-PERRIN, (FRANÇOIS NICOLAS)
AUGUSTIN, born at Bey-sur-Seille in
1829. Genre and portrait painter, pupil of
L. Cogniet and Yvon. Medals: 1865; 1867;
3d class, 1874; L. of Honour, 1878. Works:
Return to the Cottage (1855); Charon's Boat
(1857), Nancy Museum; Dante's Circle of
the Voluptuous (1859); Venetian Festival
(1861); The Muse of Béranger (1863), Dr.
Velpeau's Lesson in Anatomy, On the Beach
(1864); The Elegy, Finding the Body of
Charles the Bold after the Battle of Nancy
(1865); Women
of Batz Island
waiting for the
Ferry (1866);
Woman winnowing
Grain (1867);
Wreck of the
Evening Star
(1868); Circle of
the Stars (1869);
Melancholy
(1870); Spring-Time
(1872); Cancale Women at the Spring,
Return from Market (1873), Return of the
Oyster-Fishers (1874), Luxembourg Museum;
Cancale Women (1876); Parisian
Woman at Cancale (1877); Death of Orpheus
(1878); Women knitting by the Sea
(1879); Return from Fishing at Low Tide
(1880); Astarte, Fishing on Foot (1881);
Drunkenness, The Corniche Road (1882);
Spring-Time, Dancing by Twilight (1883);
Armorica, The Bath (1884); Remorse, The
Bath (1885).—Meyer, Conv. Lex., xviii. 318.
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FIACCO (Flacco), ORLANDO, born in
Verona, flourished about 1560. Venetian
school; history and portrait painter, pupil
of Francesco Torbido, according
to others, of Badile;
praised by Vasari especially
for his portraits. Works:
Ecce Homo, Crucifixion, S.
Nazario, Verona.—Lanzi (Roscoe), ii. 208;
Nagler, iv. 310.
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FIALETTI, ODOARDO, born in Bologna
in 1573, died in Venice in 1638. Venetian
school; history painter, pupil of Gio. Battista
Cremonini at Bologna and of Tintoretto
in Venice, where most of his paintings
are to be found. Works: Crucifixion, S.
Croce, Venice; others in S.
Marco, Venice, and S. Andrea,
Murano; Senators of
Venice in Senate House,
Hampton Court Palace.—Lanzi (Roscoe),
ii. 195; Nagler, iv. 310.
