WHOM THE GODS DESTROYED
ward on to the chair in front and was hysterically chattering into her handkerchief.
"I played that! I played that!" she wailed. "Oh, he heard me! he did, he did!" I felt horribly ashamed for her. How she must feel! A child can suffer so.
But the man at the piano gave a little chuckle of satisfaction, and ran his hands up and down the keys in a delirium of scales and arpeggios. Then he hit heavily a deep, low note. It was like a great, bass trumpet. A crashing chord: and then the love-song of Germany and musicians caught me up to heaven, or wherever people go who love that tune—perhaps it is to Germany—and I heard a great, magnificent man singing in a great, magnificent baritone, the song that won Clara Schumann's heart.
Schubert sang sweetly, wonderfully. I cry like a baby when one sings the Serenade even fairly well. And dear Franz Abt has made most loving melodies. But they were musicians singing, this was a man. "Du meine Liebe, du!"—that was no piano; it was a voice. And yet no human voice
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