DEATH COMES FOR THE ARCHBISHOP
As the horsemen approached, Padre Martinez himself was easily distinguishable—in buckskin breeches, high boots and silver spurs, a wide Mexican hat on his head, and a great black cape wound about his shoulders like a shepherd’s plaid. He rode up to the Bishop and reining in his black gelding, uncovered his head in a broad salutation, while his escort surrounded the churchmen and fired their muskets into the air.
The two priests rode side by side into Los Ranchos de Taos, a little town of yellow walls and winding streets and green orchards. The inhabitants were all gathered in the square before the church. When the Bishop dismounted to enter the church, the women threw their shawls on the dusty pathway for him to walk upon, and as he passed through the kneeling congregation, men and women snatched for his hand to kiss the Episcopal ring. In his own country all this would have been highly distasteful to Jean Marie Latour. Here, these demonstrations seemed a part of the high colour that was in landscape and gardens, in the flaming cactus and the gaudily decorated altars,—in the agonized Christs and dolorous Virgins and the very human figures of the saints. He had already learned that with this people religion was necessarily theatrical.
From Los Ranchos the party rode quickly across the grey plain into Taos itself, to the priest’s house, opposite the church, where a great throng had
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