a magnificence suitable to a people who styled themselves the masters of the world; nor was the edifice appropriated to that entertainment less expressive of Roman greatness. Posterity admires, and will long admire, the awful remains of the amphitheatre of Titus, which so well deserved the epithet of Colossal.  It was a building of an elliptic figure, five hundred and sixty-four feet in length, and four hundred and sixty-seven in breadth, founded on fourscore arches, and rising, with four successive orders of architecture, to the height of one hundred and forty feet.  The outside of the edifice was encrusted with marble, and decorated with statues. The slopes of the vast concave, which formed the inside, were filled and surrounded with sixty or eighty rows of seats, of marble likewise, covered with cushions, and capable of receiving with ease above fourscore thousand spectators.  Sixty-four vomitories (for by that name the doors were very aptly distinguished) poured forth the immense multitude; and the entrances, passages, and staircases were contrived with such exquisite skill, that each person, whether of the senatorial, the equestrian, or the plebeian order, arrived at his destined place without trouble or confusion.  Nothing was omitted which, in any respect, could be subservient to the convenience and pleasure of the spectators. They were protected from the sun and rain by an ample canopy, occasionally drawn over their heads. The air was continually refreshed by the playing of fountains, and profusely impregnated by the grateful scent of aromatics. In the centre of the edifice, the arena, or stage, was strewed with the finest sand, and successively assumed the most different forms. At one moment it seemed to rise out of the earth, like the garden of the Hesperides, and was afterwards broken into the rocks and caverns of Thrace. The subterraneous pipes conveyed an inexhaustible supply of water; and what had just before appeared a level plain, might be suddenly converted into a wide lake, covered with armed vessels, and
- See Maffei, Verona Illustrata, P. iv. 1. i. c. 2.
- Maffei, 1. ii. c. 2. The height was very much exaggerated by the ancients. It reached almost to the heavens, according to Calphurnius (Eclog. vii. 23), and surpassed the ken of human sight, according to Ammianus Marcellinus (xvi. 10). Yet how trifling to the great pyramid of Egypt, which rises five hundred feet perpendicular!
- According to different copies of Victor, we read seventy-seven thousand, or eighty-seven thousand spectators; but Maffei (I. ii. c. 12) finds room on the open seats for no more than thirty-four thousand. The remainder were contained in the upper covered galleries.
- See Maffei, 1. ii. c. 5-12. He treats the very difficult subject with all possible clearness, and like an architect, as well as an antiquarian.