Page:Decline and Fall of the Roman Empire vol 4 (1897).djvu/212

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192
THE DECLINE AND FALL
image of his palace, still extant, on a coin, represents the oldest and most authentic model of Gothic architecture. These two capitals, as well as Pavia, Spoleto, Naples, and the rest of the Italian cities, acquired under his reign the useful or splendid decorations of churches, aqueducts, baths, porticoes, and palaces.[1] But the happiness of the subject was more truly conspicuous in the busy scene of labour and luxury, in the rapid increase and bold enjoyment of national wealth. From the shades of Tibur and Præneste, the Roman senators still retired in the winter season to the warm sun and salubrious springs of Baiæ; and their villas, which advanced on solid moles into the bay of Naples, commanded the various prospect of the sky, the earth, and the water. On the eastern side of the Hadriatic, a new campania was formed in the fair and fruitful province of Istria, which communicated with the palace of Ravenna by an easy navigation of one hundred miles. The rich productions of Lucania and the adjacent provinces were exchanged at the Marcilian fountain, in a populous fair annually dedicated to trade, intemperance, and superstition. In the solitude of [Como] Comum, which had once been animated by the mild genius of Pliny, a transparent bason above sixty miles in length still reflected the rural seats which encompassed the margin of the Larian lake; and the gradual ascent of the hills was covered by a triple plantation of olives, of vines, and of chesnut trees.[2] Agriculture revived under the shadow of peace, and the number of husbandmen was multiplied by the redemption of captives.[3] The iron mines of Dalmatia, a gold mine in Bruttium, were carefully explored, and the Pomptine marshes, as well as those of Spoleto,
  1. See Maffei, Verona Illustrata, Part i. p. 231, 232, 308, &c. [The image of the palace given by Maffei is from a seal, not from a coin.] He imputes Gothic architecture, like the corruption of language, writing, &c. not to the Barbarians, but to the Italians themselves. Compare his sentiments with those of Tiraboschi (tom. iii. p. 61). [At Ravenna there are two great memorials of Theodoric; his tomb (see below, p. 204) and the church of St. Martin (called in caelo aureo from its golden ceiling) now known as S. Apollinare Nuovo, with beautiful mosaics, among which is a representation of the Palace of Theodoric. Close to the church is a high wall with some marble pillars, supposed to be a fragment of the actual Palace of Theodoric, but this is very doubtful. See C. Ricci, Ravenna, e i suoi dintorni.]
  2. The villas, climate, and landscape of Baiæ (Var. ix. 6. See Cluver. Italia Antiq. l. iv. c. 2, p. 1119, &c.), Istria (Var. xii. 22, 26), and Comum (Var. xi. 14, compare with Pliny's two villas, ix. 7), are agreeably painted in the epistles of Cassiodorius.
  3. In Liguria, numerosa agricolarum progenies (Ennodius, p. 1678, 1679, 1680 [p. 101, ed. Vogel]). St. Epiphanius of Pavia redeemed by prayer or ransom 6000 captives from the Burgundians of Lyons and Savoy. Such deeds are the best of miracles.