keeping their instincts and active tendencies suppressed, instead of in a positive one of constructive planning and execution; they are thus educated not into responsibility for the significant and graceful use of bodily powers, but into an enforced duty not to give them free play. It may be seriously asserted that a chief cause for the remarkable achievements of Greek education was that it was never misled by false notions into an attempted separation of mind and body.
(b) Even, however, with respect to the lessons which have to be learned by the application of 'mind,' some bodily activities have to be used. The senses—especially the eye and ear—have to be employed to take in what the book, the map, the blackboard, and the teacher say. The lips and vocal organs, and the hands, have to be used to reproduce in speech and writing what has been stowed away. The senses are then regarded as a kind of mysterious conduit through which information is conducted from the external world into the mind; they are spoken of as gateways and avenues of knowledge. To keep the eyes on the book and the ears open to the teacher's words is a mysterious source of intellectual grace. Moreover, reading, writing, and figuring—important school arts—demand muscular or motor training. The muscles of eye, hand, and vocal organs accordingly have to be trained to act as pipes for carrying knowledge back out of the mind into external action. For it happens that using the muscles repeatedly in the same way fixes in them an automatic tendency to repeat.
The obvious result is a mechanical use of the bodily activities which (in spite of the generally obtrusive and interfering character of the body in mental action) have to be employed more or less. For the senses and muscles are used not as organic participants in having an instructive experience, but as external inlets and outlets of mind. Before the child goes to school, he learns with his hand, eye, and ear, because they are organs of the process of doing something from which
