certain motions of analysis and division of subject matter and may acquire information about the value of these processes as standard logical functions, but unless it somehow comes home to him at some point as an appreciation of his own, the significance of the logical norms—so-called—remains as much an external piece of information as, say, the names of rivers in China. He may be able to recite, but the recital is a mechanical rehearsal.
It is, then, a serious mistake to regard appreciation as if it were confined to such things as literature and pictures and music. Its scope is as comprehensive as the work of education itself. The formation of habits is a purely mechanical thing unless habits are also tastes—habitual modes of preference and esteem, an effective sense of excellence. There are adequate grounds for asserting that the premium so often put in schools upon external 'discipline,' and upon marks and rewards, upon promotion and keeping back, are the obverse of the lack of attention given to life situations in which the meaning of facts, ideas, principles, and problems is vitally brought home.
2. Appreciative realizations are to be distinguished from symbolic or representative experiences. They are not to be distinguished from the work of the intellect or understanding. Only a personal response involving imagination can possibly procure realization even of pure "facts." The imagination is the medium of appreciation in every field. The engagement of the imagination is the only thing that makes any activity more than mechanical. Unfortunately, it is too customary to identify the imaginative with the imaginary, rather than with a warm and intimate taking in of the full scope of a situation. This leads to an exaggerated estimate of fairy tales, myths, fanciful symbols, verse, and something labeled "Fine Art," as agencies for developing imagination and appreciation; and, by neglecting imaginative vision in other matters, leads to methods which reduce much instruc-
