LUCIFER
younger men to paint instead of you. It is meet a man should end his days in a gentle, religious quiet. It is tempting God to be for ever raising new and worldly monuments, mere heathen towers of Babel. Quit your colours and your varnishes, Spinello, or they will destroy your peace of mind."
So the good dame would preach, but he refused to listen, for his one thought was to increase his fortune and renown. Far from resting on his laurels, he arranged a price with the Wardens of Sant' Agnolo for a history of St. Michael, that was to cover all the Choir of the Church and contain an infinity of figures. Into this enterprise he threw himself with extraordinary ardour. Re-reading the parts of Scripture that were to be his inspiration, he set himself to study deeply every line and every word of these passages. Not content with drawing all day long in his workshop, he persisted in working both at bed and board; while at dusk, walking below the hill on whose brow Arezzo proudly lifts her walls and towers, he was still lost in thought. And we may say the story of the Archangel was already limned in his brain when he started to sketch out the incidents in red chalk on the plaster of the wall. He was soon done tracing these outlines; then he fell to painting above the high altar the scene that was to outshine all the others in brilliancy. For it was his intent therein to glorify the leader of the hosts of Heaven for the victory he won before the beginning of time. Accordingly Spinello represented St. Michael fighting in the air against the serpent with seven heads and ten horns, and he figured with delight, in the bottom part of the picture, the Prince
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