THE PAINTER'S BARGAIN
BY WILLIAM MAKEPEACE THACKERAY
The belief in compacts with the devil is of great antiquity. Satan, contending with God for the possession of the human race, was supposed to have developed a passion for catching souls. At the death of every man a real fight takes place over his soul between an angel, who wishes to lead it to heaven, and a devil, who attempts to drag it to hell (Jude 9) . In order to assure the soul for himself in advance, Satan attempts to purchase it from the owner while he is still living—vivénte corpore, as he tells the restaurateur in Poe's story. As prince of this world he can easily grant even the most extravagant wishes of man in exchange for his soul. Office, wealth and pleasure are mainly the objects for which a man enters into a pact with the Evil One. Count de Luizzi in Frédéric Soulié's Les Mémoires du Diable sells his soul to the devil for an uncommon consideration. It is not wealth or pleasure that tempts him. What he wants in exchange for his soul is to know the past lives of his fellowmen and women, "a thing," as Mr. Saintsbury well remarks, "which a person of sense and taste would do anything, short of selling himself to the devil, not to know." The devil fulfils every wish of his contractor for a stipulated period of time, at the expiration of which the soul becomes his. Pope Innocent VIII, in his fatal bull "Summis desiderantes" of the year 1484, officially recognized the possibility of a compact with the devil. Increase Mather, the New England preacher, also affirms that many men have made "cursed covenants with the prince of darkness."
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