minor, and a ward. If proceedings were threatened, nothing came of it, for the young bridegroom died. The exact date is not known, but he could not have lived with her more than a few months after his marriage.
Mary, still a ward, was now married, for the third time before she was sixteen, to Sir Charles Howard, fourth son of the Earl of Suffolk, not to Sir Thomas, his third son, as had been at first designed. The young couple resided with the Earl at Audley End, and there her first child was born, a daughter, Elizabeth, born on 21 September, 1613, who does not seem to have lived long, as she disappears altogether within a few years. There was a second daughter, Mary, born in London, the date not known; but Sir Charles Howard died on 22 September, 1622, without leaving male issue. It was when a widow about this time, apparently, that Lady Howard was painted by Vandyke, and this was engraved by Hollar. The painting cannot now be traced. She was now one of the stateliest dames of the Court of Henrietta Maria, where she cultivated the friendship of the Duke of Buckingham, who exerted his influence with her so as to render her propitious to the addresses of one of his own dependents, Sir Richard Grenville. The Duke considered that a rich wife would help on the fortunes of his favourite, and thus did the heiress of Fitzford and Walreddon give herself to her fourth and worst husband. But before marrying him she was cautious to tie up her estate in such a manner that he could not touch it. Without breathing a word of what she was doing, she conveyed all her lands to Walter Hele, Anthony Short, and William Grills in trust to permit her during her life, whether sole or married, to receive the rents and dispose of them at her own goodwill and
