THE AUTOMOBILE CLUB
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' Not less than a hundred and fifty.’ ‘ AU right. If you’ve got solutions to problems we’U let you have sixty.’ The chess expert did his best to persuade the sub editor to give him another thirty lines, but he was repulsed. The reporter Persitsky came in. ‘ Do you want the impressions from the Plenum ? ’ ‘ Of course ! ’ shouted the sub-editor. ‘ They spoke two nights ago.’
- Well, we’ve got the report and two sketches, but
they won’t give us any space.’ ‘ Why won’t they give you any space ? Who won’t give you space ? What’s the matter with them aU ? Are they going mad ? ’ The sub-editor got up and went to the compositors’ room. Persitsky followed him and men from the adver tising department hurried after him. Behind them came a man carrying a walnut chair which had been bought for the editor at an auction. A few minutes later the sub-editor returned and sat down again to read the leading article, but he was immediately interrupted by the artist. ‘ Ah ! ’ said the sub-editor. ‘ That’s splendid. I believe you have some idea of a cartoon based on the last telegram received from Germany ? ’ ‘ Yes, I think something like this would do : a steel helmet and then the general situation in Germany.’ ' All right. You do what you like and then bring it to me.’ The artist went away. He took a square piece of Whatman paper and sketched a lean dog. He drew a German spiked helmet on its head and then he began to write. He wrote ‘ Germany ’ on the dog’s body and on its tail he wrote ' The Danzig Corridor ’ ; ‘ Dreams of Revenge ’ on its jaws ’; ‘ The Dawes Plan ’ on the collar, and ‘ Stresemann ’ on its outstretched tongue. Next, he drew Poincar6 standing in front of the dog and
