the black cap pronounced his own doom as certainly as the prisoner's, and even died before him. For the rest, the Old Bailey was famous as a kind of deadly inn-yard, from which pale travellers set out continually, in carts and coaches, on a violent passage into the other world: traversing some two miles and a half of public street and road, and shaming few good citizens, if any. So powerful is use, and so desirable to be good use in the beginning. It was famous, too, for the pillory, a wise old institution, that inflicted a punishment of which no one could foresee the extent; also, for the whipping-post, another dear old institution, very humanising and softening to behold in action; also, for extensive transactions in blood-money, another fragment of ancestral wisdom, systematically leading to the most frightful mercenary crimes that could be committed under Heaven. Altogether, the Old Bailey, at that date, was a choice illustration of the precept, that "Whatever is is right;" an aphorism that would be as final as it is lazy, did it not include the troublesome consequence, that nothing that ever was, was wrong.
Making his way through the tainted crowd, dispersed up and down this hideous scene of action, with the skill of a man accustomed to make his way quietly, the messenger found out the door he sought, and handed in his letter through a trap in it. For, people then paid to see the play at the Old Bailey, just as they paid to see the play in Bedlam—only the former entertainment was much the dearer. Therefore, all the Old Bailey doors were well guarded—except, indeed, the social doors by which the criminals got there, and those were always left wide open.
After some delay and demur, the door grudgingly turned on its hinges a very little way, and allowed Mr. Jerry Cruncher to squeeze himself into court.
"What's on?" he asked, in a whisper, of the man he found himself next to.
"Nothing yet."
"What's coming on?"
