Page:Dickens - Edwin Drood (Chapman and Hall, 1870).djvu/121

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A NIGHT WITH DURDLES.
91

They then slowly disappear; passing out into the moonlight at the opposite end of the Corner.

It is not until they are gone, that Mr. Jasper moves. But then he turns to Durdles, and bursts into a fit of laughter. Durdles, who still has that suspended something in his cheek, and who sees nothing to laugh at, stares at him until Mr. Jasper lays his face down on his arms to have his laugh out. Then Durdles bolts the something, as if desperately resigning himself to indigestion.

Among those secluded nooks there is very little stir or movement after dark. There is little enough in the high-tide of the day, but there is next to none at night. Besides that the cheerfully frequented High Street lies nearly parallel to the spot (the old Cathedral rising between the two), and is the natural channel in which the Cloisterham traffic flows, a certain awful hush pervades the ancient pile, the cloisters, and the churchward, after dark, which not many people care to encounter. Ask the first hundred citizens of Cloisterham, met at random in the streets at noon, if they believed in Ghosts, they would tell you no; but put them to choose at night between these eerie Precincts and the thorough-fare of shops, and you would find that ninety-nine declared for the longer round and the more frequented way. The cause of this is not to be found in any local superstition that attaches to the Precincts—albeit a mysterious lady, with a child in her arms and a rope dangling from her neck, has been seen flitting about there by sundry witnesses as intangible as herself—but it is to be sought in the innate shrinking of dust with the breath of life in it, from dust out of which the breath of life has passed; also, in the widely diffused, and almost as widely unacknowledged, reflection: "If the dead do, under any circumstances, become visible to the living, these are such likely surroundings for the purpose that I, the living, will get out of them as soon as I can."

Hence, when Mr. Jasper and Durdles pause to glance around them, before descending into the crypt by a small side door of which the latter has a key the whole expanse of moonlight in their view is utterly deserted. One might fancy that the tide of life was stemmed by Mr. Jasper's own Gatehouse. The murmur of the tide is heard beyond; but no wave passes the archway, over which his lamp burns red behind his curtain, as if the building were a Lighthouse.

They enter, locking themselves in, descend the rugged steps, and are down in the Crypt. The lantern is not wanted, for the moonlight strikes in at the groined windows, bare of glass, the broken frames for which cast patterns on the ground. The heavy pillars which support the roof engender masses of black shade, but between them there are lanes of light. Up and down these lanes, they walk, Durdles discoursing of the "old uns" he yet counts on disinterring, and slapping a wall, in which he considers "a whole family on 'em" to be stoned and earthed up, just as if he were a familiar friend of the family. The taciturnity of Durdles is for the time overcome by Mr. Jasper's wicker bottle, which circulates freely;—in the sense, that is to say, that its contents