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and the portrait of Granger, which forms the frontispiece to his 'Biographical Dictionary.' Several of his portraits were also engraved by Val. Green, Dixon, Earlom, and others. He composed some historical subjects, which were extravagant in their manner, and painted the decorations of a Chinese temple for the Baroness de Grey at her seat in Bedfordshire. He is said to have returned to France soon after 1773, but probably not much before 1780.
FANELLI, Francis, modeller and sculptor. Was a Florentine artist and came to this country before 1640, in which year he called himself 'Sculptor to the King.' He was celebrated for his works in metal, which were finely finished. There is by him in Westminster Abbey a bust of Lady Cottinton, one of Charles I. at the Bodleian, and several of his works are at Welbeck.
FANSHAWE, Catherine Maria, amateur. Born in London about 1775. She etched about 20 historical and figure subjects with much ability. She died about 1834.
FARINGTON, George, history painter. He was of an ancient Lancashire family. His father was rector of Warrington, where he was born in 1754. In 1770-71 he gained premiums at the Society of Arts for landscape views. He received his first instructions in art from his brother Joseph, and then became the pupil of Benjamin West, P.R.A., and an industrious student of the Royal Academy, where he gained the silver medal in 1779, and the gold medal for 'Macbeth' in 1780. He exhibited a portrait at the Academy in 1773, and again in 1783. He was employed by Alderman Boydell, for whom he made some excellent drawings from the Houghton collection. In 1782 he was induced to visit the East Indies, where he painted many pictures, and while engaged on a large work representing the Durbar of one of the native princes, he imprudently exposed himself to the night air, and was seized with an illness which terminated his life in a few days in 1788.
FARINGTON, Joseph, R.A., landscape painter. Was the elder brother of the foregoing, and was born at Leigh, Lancashire, on Nov. 21, 1747. He chose the profession of a painter, and in 1763 was placed under Richard Wilson, with whom he continued for several years, and was esteemed one of his best pupils. He gained several premiums at the Society of Arts, and at the age of 21 he was elected a member of the Incorporated Society of Artists. He worked with his brother upon the drawings of the Houghton collection, and on the completion of this work he returned to his own county, and studied the landscape scenery of the lake districts of Cumberland and Westmoreland. He returned to London in 1781, where he then settled. He was one of the first students of the Royal Academy, and from 1778 to 1813 was a constant exhibitor there of landscapes and landscape views. He was elected associate in 1783, and full member in 1785, and then gave much time and exercised great influence in the Academy councils. On the suspension of the five members of the council in 1804, Copley, R. A., says 'he was the avowed and active member of the confederacy which led to this schism.' In his landscapes he has not shown much poetry or grandeur; his composition is poor; his colouring is better, often possessing power and brilliance; his pencilling is free and firm, but with a tendency to hardness. He made numerous topographic drawings, using the reed pen with much spirit, and slightly washing in the breadths with sepia or Indian ink. Many of his views of the English lakes were engraved by Byrne, Medland, Pouncey, and others, and published in 1816; and 76 views by him, in illustration of the history of the River Thames, were published in 1794. He died of a fall from his horse in returning from church, December 30, 1821.
FARNBOROUGH, Amelia, Lady, amateur. Daughter of Sir Abraham Hume, Bart. Was born January 29, 1772, and married in 1793 Sir Charles Long, who was in 1826 created Lord Farnborough. As an amateur, she was distinguished by her very clever water-colour drawings, works of great truth and feeling. She exhibited 'The Boulevards of Paris' at the Royal Academy in 1819, and had from 1807 been an honorary exhibitor of many drawings of considerable merit. She died June 15, 1837.
FARRER, Nicholas, portrait painter. Born at Sunderland in 1750. He studied art under Robert E. Pine and in the schools of the Society of Artists, and was admitted to the friendship of Reynolds and Northcote. He practised as a portrait painter, and imitated the manner of Reynolds. He was much patronised by the Duke of Richmond, and painted the portraits of the Duke and his family. He died 1805.
FAULKNER, Joshua Wilson, portrait painter. Was a native of Manchester, and practised in that city. He exhibited at the Royal Academy in 1809 the portrait of a lady in character, and two other works. Soon after he became a member of the Liverpool Academy, and exhibited at that Institution. He settled in London about 1817, and in that and the two following years exhibited portraits at the Academy. In 1820 he exhibited there for the last time, sending some portrait-groups and 'A Boy with a Butterfly.'
FAULKNER, Benjamin Rawlinson,
