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and Miranda,' but be met with no encouragement. About 1826 he tried portrait, and might have succeeded better, but he disliked this branch of art. He continued to exhibit up to 1845, and died at Dartmouth, July 12, 1847. His works, most of which remained on his hands, were sold by auction the same year, and produced only small sums.
KING, Margaret, portrait painter. Practised in the latter part of the 18th century. She exhibited crayon portraits at the Royal Academy in 1779, and continued an exhibitor up to 1786.
KING, Thomas, portrait painter. Was a pupil of Knapton, and attained considerable ability, but was eccentric, restless, and dissipated. He died about 1769, and was buried in Marylebone churchyard. There is a mezzo-tint of his portrait of Matthew Skeggs playing on a broomstick; and Houston engraved after him the portrait of Maddox, a celebrated rope-dancer.
KING, Thomas, antiquarian draftsman and engraver. He lived at Chichester, and published a series of plates of the cathedral and other antiquities of the city. He died August 9, 1845.
KINSBURY, Henry, draftsman and engraver. He practised in London between 1750-80, engraving in the mezzo-tint and dot manner, chiefly subject plates.
KIP, William, engraver. Practised in London at the beginning of the 17th century. There are some triumphal arches engraved by him, dated 1603.
KIP, John, engraver. Was born at Amsterdam, and came to England soon after the Revolution. He was employed to engrave views of the Royal palaces and the mansions of the nobility and gentry for the 'Britannia Illustrata,' published in 1714. He engraved the architectural and topographical views in Strype's edition of 'Stowe's Survey,' 1720; and also, on a large scale, the mansions of Gloucestershire, for Atkyns's history of that county. These are bird's-eye views, most minutely and curiously executed. He also engraved some portraits, birds after Barlow, and other plates. He died in Westminster in 1722, when nearly 70 years of age, leaving a daughter, whom he had brought up to painting.
KIRBY, Richard, architect. Built Hill Hall, Essex, a stately structure, in the latter part of the 17th century, for Sir Thomas Smith.
KIRBY, John, amateur. Was originally a schoolmaster at Orford, in Suffolk, and afterwards occupied a mill at Wickham Market, his native place. He then resided some time at Ipswich, where he published, 1735, 'The Suffolk Traveller,' a road-book with antiquarian notices, from an actual survey he made of the whole county in the years 1732-33-34. He died December 13, 1753, aged 63, and was buried at Ipswich.
KIRBY, Joshua, F.R.S., topographical draftsman. Son of the foregoing. Was born at Parham, Suffolk, in 1716, and settled at Ipswich as a coach and house painter about 1738. He was induced by an early friendship with Gainsborough to try landscape painting. He made a number of drawings for an intended county history, and of these he published 12, with some descriptive letter-press, in 1748, the plates etched by himself, followed by a series engraved by J. Wood. He also studied linear perspective, and lectured on that science at the St. Martin's Lane Academy. He was appointed teacher of architectural drawing to the Prince of Wales, afterwards George III., whose favour he enjoyed, and by whom he was appointed clerk of the works at Kew Palace. He edited, in 1754, a second edition of Brook Taylor's 'Perspective;' and in 1761 published 'The Perspective of Architecture,' which was printed at the expense of the King. He was secretary, and was in 1770 elected resident, of the Incorporated Society the faction which had excluded Frank Hayman from that office; but the same year, on the plea of ill-health, he resigned the post, which he had little claim to occupy. He exhibited with the Society, 1765-70, views in Richmond Park, Kew, &c. His views of Kew Palace were engraved by Woollett in 1763. He died June 20, 1774, aged 58, and was buried in Kew Churchyard. William Kirby, probably his son, who was in 1766 a member of the Incorporated Society of Artists, died suddenly at Kew in 1771.
KIRK, John, medallist. He was a pupil of Dassier, on whose death he was much employed. In 1762 and 1763 he received premiums from the Society of Arts. He was a member of the Incorporated Society of Artists, and exhibited medals of the King, Queen, &c, 1773-75-76. He died in London, November 27, 1776.
KIRK, Thomas, painter and engraver. Studied under Cosway, R.A., and practised during the last half of the 18th century. He was an eminent artist. He painted well-chosen subjects in history with great fancy and vigour, the drawing good and the colour agreeable. His vignette illustrations to Cooke's 'Poets' are excellent. He first exhibited at the Academy, in 1785, 'Venus presenting love to Calypso,' and continued to exhibit in alternate years up to 1791. Then, after two years' interval, he exhibited, in 1794, some scriptural subjects, a portrait and a frame of fancy miniatures; and in the following year 12 subjects, evidently designed for book-illustration. In 1796 he exhibited, for the last time, 'Evening' and 'A Dream.' Some few miniatures which
