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did not find early recognition, and distinctions and honours were delayed till near the end of his active career. He was gifted with much natural humour, a clever mimic, at all times an agreeable companion, and possessed the friendship of many of the most distinguished of his countrymen.
ALLASON, Thomas, architect. Born in London, July 31, 1790. Was placed in an architect's office, and entered as a student at the Royal Academy, where he gained a silver medal, and in 1805 exhibited a design for a college. He studied Grecian architecture, and in 1814 made a tour in Greece. On his return in 1817 he established himself in London, and was much employed both in buildings, furniture, and landscape gardening. Many villas and mansions were erected after his designs—perhaps the Alliance Fire Office, in Bartholomew Lane, may be pointed to as his chief work. He died April 9, 1852, in his 62nd year. He began life dependent upon his own exertions. He was conspicuous for good taste, and independently shaped his own useful career. He published 'Plan of a House of Industry,' 1805; 'Picturesque Views of the Antiquities of Pola, in Istria' 1819; and a clever etching of Milan Cathedral.
ALLEN, Andrew, portrait painter. Supposed of Scotch origin. Practised with some repute in Edinburgh about 1730. A portrait by him of one of the Lords of Session is engraved, as is also his own portrait.
ALLEN, James B., engraver. Born in Birmingham, April 18, 1803. He was apprenticed to his brother, Mr. Josiah Allen, of Colmore Row, Birmingham, to learn his art. He went to London, however, before he had finished his time, and was employed many years in engraving for the Bank of England. He executed many works for the 'Art Journal' and other periodicals. His best engravings are after landscape subjects. He died in London, January 10, 1876.
ALLEN, Joseph, portrait painter. Born at Birmingham, and early found employment in painting Japanned tea-trays, which it was then the fashion to decorate with pictures. Having some feeling for art, he came to London and obtained admission as student at the Royal Academy, with the resolution to attempt history, but he was compelled to descend to portrait, and in this did not meet with success. He next was induced to try Wrexham, where he settled, and found a lucrative practice by visiting Manchester, Preston, Lancaster, and other large towns in the north, where he established a connection. This last success tempted him again to try the Metropolis, but he again failed to secure notice; and being advanced in life, he broke up his establishment and retired to Erdington, near Birmingham, in easy circumstances, and died there November 19, 1839, aged 70. His portraits were carefully painted, tender and pleasing in character, but not of any high merit.
ALLEN, John, architect. He practised in England, with much repute, in the reign of Queen Elizabeth. His descendants settled in Ireland, where his grandson, Joshua Allen, following his profession, was employed by many of the nobility, became lord mayor of Dublin, and was knighted.
ALLEN, George, architect. Was born at Brentford, April 14, 1798. Studied at the Royal Academy, and was a pupil of James Elmes. He published, in 1828, 'Plans and Designs for the future Approaches to the New London Bridge,' and found much professional employment on the South wark side of the river. He died June 28, 1847.
ALLEN, Joseph W., landscape painter. Was born in Lambeth, the son of a schoolmaster, and educated at St. Paul's School. For a time he found employment as an usher in an academy at Taunton, but a love of art prevailing, he came to London to gain a living as an artist. His early practice was in water-colours—views in Cheshire and North Wales—but latterly chiefly in oil. He was first employed by a dealer, afterwards assisted as a scene painter, and many of the scenes at the Olympic during Madame Vestris's first management were by him. He became a member of the Society of British Artists, and was for a time vice-president, and a large contributor of landscapes to the exhibitions, chiefly of views in Surrey, and some compositions. His 'Vale of Clwyd,' 1842, gained him much notice, and was purchased for 300 guineas as an Art Union prize. His works were of some merit, but the anxieties to provide for a large family were hindrances to art; and though his subjects were well chosen, and not without artistic feeling, they were crude and unfinished. He was also engaged as a teacher in the City of London School. He sketched landscapes on copper with some skill. He died in August, 1852, aged about 48, leaving a widow and a large family, to make some provision for whom a subscription was raised among his friends.
ALLEN, James C., engraver. Was born in London, the son of a Smithfield salesman, and apprenticed to William Cooke, for whom he worked many years after the termination of his apprenticeship, and was much employed on book illustration. In 1821 he published, with Mr. Cooke, 15 views of the interior and exterior of the Coliseum at Rome, well engraved in the line manner; and in 1831 a spirited plate
