of Moschus, who laments his untimely death. The time at which he lived can be pretty accurately determined by the fact, that he was older than Moschus, who calls himself the pupil of Bion. (Mosch. iii. 96, &c.) His flourishing period must therefore have very nearly coincided with that of Theocritus, and must be fixed at about B. C. 280. Moschus states, that Bion left his native country and spent the last years of his life in Sicily, cultivating bucolic poetry, the natural growth of that island. Whether he also visited Macedonia and Thrace, as Moschus (iii. 17, &c.) intimates, is uncertain, since it may be that Moschus mentions those countries only because he calls Bion the Doric Orpheus. He died of poison, which had been administered to him by several persons, who afterwards received their well-deserved punishment for the crime. With respect to the relation of master and pupil between Bion and Moschus, we cannot say anything with certainty, except that the resemblance between the productions of the two poets obliges us to suppose, at least, that Moschus imitated Bion; and this may, in fact, be all that is meant when Moschus calls himself a disciple of the latter. The subjects of Bion's poetry, viz. shepherds' and love-songs, are beautifully described by Moschus (iii. 82, &c.); but we can now form only a partial judgment on the spirit and style of his poetry, on account of the fragmentary condition in which his works have come down to us. Some of his idyls, as his poems are usually called, are extant entire, but of others we have only fragments. Their style is very refined, the sentiments soft and sentimental, and his versification (he uses the hexameter exclusively) is very fluent and elegant. In the invention and management of his subjects he is superior to Moschus, but in strength and depth of feeling, and in the truthfulness of his sentiments, he is much inferior to Theocritus. This is particularly visible in the greatest of his extant poems, Ἐπιτάφιος Ἀδώνιδος. He is usually reckoned among the bucolic poets; but it must be remembered that this name is not confined to the subjects it really indicates; for in the time of Bion bucolic poetry also embraced that class of poems in which the legends about gods and heroes were treated from an erotic point of view. The language of such poems is usually the Doric dialect mixed with Attic and Ionic forms. Rare Doric forms, however, occur much less frequently in the poems of Bion than in those of Theocritus. In the first editions of Theocritus the poems of Bion are mixed with those of the former; and the first who separated them was Adolphus Mekerch, in his edition of Bion and Moschus. (Bruges, 1565, 4to.) In most of the subsequent editions of Theocritus the remains of Bion and Moschus are printed at the end, as in those of Winterton, Valckenaer, Brunck, Gaisford, and Schaefer. The text of the editions previous to those of Brunck and Valckenaer is that of Henry Stephens, and important corrections were first made by the former two scholars. The best among the subsequent editions are those of Fr. Jacobs (Gotha, 1795, 8vo.), Gilb. Wakefield (London, 1795), and J. F. Manso (Gotha, 1784, second edition, Leipzig, 1807, 8vo.), which contains an elaborate dissertation on the life and poetry of Bion, a commentary, and a German translation.
5. A tragic poet, whom Diogenes Laertius (iv. 58) describes as τραγῳδίας τῶν Ταρσικῶν λεγομένων. Casaubon (De Sat. Poes. i. 5) remarks, that Diogenes by these words meant to describe a poet whose works bore the character of extempore poetry, of which the inhabitants of Tarsus were particularly fond (Strab. xiv. p, 674), and that Bion lived shortly before or at the time of Strabo. Suidas (s.v. Αἰσχύλος) mentions a son of Aeschylus of the name of Bion who was likewise a tragic poet; but nothing further is known about him.
6. A melic poet, about whom no particulars are known. (Diog. Laërt. iv. 58; Eudoc. p. 94.)
7. A Greek sophist, who is said to have censured Homer for not giving a true account of the events he describes. (Acron, ad Horat. Epist. ii. 2.) He is perhaps the same as one of the two rhetoricians of this name.
8. The name of two Greek rhetoricians; the one, a native of Syracuse, was the author of theoretical works on rhetoric (τέχνας ῥητορικὰς γεγραφώς); the other, whose native country is unknown, was said to have written a work in nine books, which bore the names of the nine Muses. (Diog. Laërt. iv. 58.)
BION (Βίων), a Scythian philosopher, surnamed Borysthenites, from the town of Oczacovia, Olbia, or Borysthenes, near the mouth of the Dnieper,
lived about B. C. 250, but the exact dates of his
birth and death are uncertain. Strabo (i. p. 15)
mentions him as a contemporary of Eratosthenes,
who was born B. C. 275. Laertius (iv, 46, &c.)
has preserved an account which Bion himself gave
of his parentage to Antigonus Gonatas, king of
Macedonia, His father was a freedman, and his
mother, Olyrapia, a Lacedaemonian harlot, and the
whole family were sold as slaves, on account of
some oflfence committed by the father. In conse-
quence of this, Bion fell into the hands of a rheto-
rician, who made him his heir. Having burnt his
patron's library, he went to Athens, and applied
himself to philosophy, in the course of which study
he embraced the tenets of almost every sect in
succession. First he was an Academic and a dis-
ciple of Crates, then a Cynic, afterwards attached
to Theodorus [Theodorus], the philosopher who
carried out the Cyrenaic doctrines into the atheistic
results which were their natural fruit [Aristippus],
and finally he became a pupil of Theophrastus, the
Peripatetic. He seems to have been a man of con-
siderable intellectual acuteness, but utterly profli-
gate, and a notorious unbeliever in the existence
of God. His habits of life were indeed avowedly
infamous, so much so, that he spoke with contempt
of Socrates for abstaining from crime. Many of
Bion's dogmas and sharp sayings are preserved by
Laertius : they are generally trite pieces of mora-
lity put in a somewhat pointed shape, though
hardly brilliant enough to justify Horace in hold-
ing him up as the type of keen satire, as he does
when he speaks of persons delighting Dioneis ser~
monibtis et sale nigra. {Epist. ii. 2. 60.) Examples
of this wit are his sayings, that "the miser did not
possess wealth, but was possessed by it," that
"impiety was the companion of credulity," "'avarice
the ixr)Tp6Trois of vice," that "good slaves are
really free, and bad freemen really slaves," with
many others of the same kind. One is preserved
by Cicero (Tusc. iii. 26), viz. that "it is useless to
tear our hair when we are in grief, since sorrow is
not cured by baldness." He died at Chalcis in
Euboea. We learn his mother's name and country
from Athenaeus (xiii. p. 591,f. 592, a.) [G. E. L. C]
BION, CAECI'LIUS, a writer whose country
