and showed immense enthusiasm for the cause. She also advocated the political enfranchisement of women, and joined the Woman's Suffrage Society at Oxford.
On 30 July 1884 Mark Pattison died at Oxford after a long illness. His widow, to whom he left his fortune, settled in the autumn at Headington Lodge and edited his early 'Memoirs,' which were published in 1885. In the spring of that year she paid a visit to her friend, Sir Mountstuart Elphinstone Grant-Duff [q. v. Suppl. II], then governor of Madras. An attack of typhoid fever delayed her return to England till the autumn. Meanwhile, in July she publicly announced her engagement to Sir Charles Wentworth Dilke [q. v. Suppl. II], with whom her relations had been friendly from youth. At the moment Sir Charles's brilliant political career was prejudiced by charges of immorality, which had been laid against him in the divorce court. The marriage took place at Chelsea on 3 Oct. 1885, and thenceforth her career was largely moulded by that of her second husband. She fully believed in his innocence, and when the truth of the charges against him was legally affirmed in July 1886, she with heroic unselfishness resolved to consecrate her life to his rehabilitation in public esteem. While sparing no effort in her husband's behalf, she continued with undiminished ardour her pursuits as historian of French art and reformer of women's industrial status. She and her husband continued to travel much ; they spent part of each year in Paris; in 1887 they extended their tour to Greece and Turkey, and late in 1888 they visited India. No opportunity was lost of inspecting art treasures abroad. At the same time her literary industry bore fruit in the elaborate treatises : 'Art in the Modern State, or the Age of Louis XIV (1884) ; 'French Painters of the Eighteenth Century' (1889); 'French Architects and Sculptors of the Eighteenth Century' (1900), and 'French Engravers and Draughtsmen of the Eighteenth Century' (1902). She also attempted short stories of a mystical or allegorical temper. These were collected in her lifetime as 'The Shrine of Death, and other Stories' (1886) and 'The Shrine of Love, and other Stories' (1891). A posthumous collection was called 'The Book of the Spiritual Life' (1905). Her style in these tales shows an individuality which is wanting in her writings on art. Meanwhile Lady Dilke's activity in the women's trades union movement knew no intermission. The committee of the Women's Trades Union League was largely guided by her counsel. From 1889 to 1894 she attended each September the trades union congress as representative of the women's league. She thus was brought into constant touch with labour leaders, and she frequently spoke at meetings throughout the country on labour questions affecting women. She spared no pains to promote co-operation between the sexes in the field of manual labour, and championed with especial fervour the cause of unskilled workers in dangerous trades. She died after a brief illness on 24 Oct. 1904 at Pyrford Rough, Woking, a house which was her personal property. Her remains were cremated at Golder's Green after a funeral service at Holy Trinity Church, Sloane Square. She had no issue. In accordance with her direction some valuable jewels in her possession passed on her death to the Victoria and Albert Museum, South Kensington, together with her collection of art books, Aldines and Elzevirs. An early portrait by her friend, Pauline, Lady Trevelyan, of Cambo, Northumberland (reproduced in Sir Charles Dilke's ' Memoir,' p. 24), was left by Sir Charles Dilke, together with a miniature by Camino, to the National Portrait Gallery, but the trustees have, according to their rule, postponed the consideration of acceptance till the expiration of ten years from death. She was also painted by William Bell Scott and by J. Portaels in Paris in 1864.
[The Book of the Spiritual Life, with a memoir by Sir Charles W. Dilke, 1905 ; Athenæum, 30 Oct. 1904 ; The Times, 25 Oct. 1904, 2 Dec. (will) ; CornhilL Feb. 1912 (letter from Lady Dilke to Sir Henry Lucy) ; private information.]
DILLON, FRANK (1823–1909), landscape painter, born in London on 24 Feb. 1823, was the youngest son of John Dillon, of the firm of Morrison, Dillon & Co., silk mercers, of Fore Street, London, and the owner of a fine collection of water-colour drawings which was sold by auction in 1869.
After having been educated at Bruce Castle School, Tottenham, he entered the schools of the Royal Academy, and subsequently became a pupil of James Holland, the water-colour painter. He there began painting in oil-colours, and in 1850 sent to the Royal Academy a view 'On the Tagus, Lisbon,' and until 1907 was a fairly regular contributor to its exhibitions, as well as to those of the British Institution until its close in 1867. He was one of the
