The delightful song, 'With the Sunshine and the Swallows and the Flowers,' set to music by the Rev. Dr. John Park, is widely known. His fine collection of art-objects and of arms and armour, which was admirably arranged in his Edinburgh house, 33 George Square, was purchased after his death, largely by public subscription, and placed in the Royal Scottish Museum, Chambers Street, Edinburgh. Paton was made hon. LL.D. by Edinburgh University in 1876, and on two occasions, in 1876 and again in 1891, he was offered the presidentship of the Royal Scottish Academy. He died at Edinburgh on 26 Dec. 1901, and was buried in the Dean cemetery.
In 1858 Paton married Margaret (d. April 1900), daughter of Alexander Ferrier, Bloomhill, Dumbartonshire; by her he had issue seven sons and four daughters. The eldest son, Dr. Diarmid Noël Paton, is professor of physiology in Glasgow University. In the Scottish National Portrait Gallery there is a marble bust of Paton by his sister, Mrs. Hill. Other portraits are a picture by his son Ranald, painter, and a bust by another son, who became a lawyer.
[Scotsman, and The Times, 27 Dec. 1901; Easter number, Art Journal, by A. T. Story, 1895; Scots Pictorial, 28 Aug. 1897; exhibition catalogues; Ruskin's Notes on the Royal Academy, 1856 and 1858; R.S.A. Report, 1902; catalogue, National Gallery of Scotland; J. L. Caw's Scottish painting, 1908; The English Pre-Raphaelites, by Percy Bate; private information.]
PAUL, CHARLES KEGAN (1828–1902), author and publisher, son of the Rev. Charles Paul (1802–1861), by his wife Frances Kegan Home (1802–1848), was born on 8 March 1828 at White Lackington near Ilminster, Somersetshire, where his father was curate. He was educated first at Ilminster grammar school under the Rev. John Allen and afterwards at Eton, where he entered Dr. Hawtrey's house in 1841. He matriculated at Exeter College, Oxford, in January 1846, and in 1849 made the acquaintance of Charles Kingsley, whose contagious energy greatly impressed him. Tractarian theories did not appeal to him, and he showed a leaning towards broad church views in theology. Graduating B.A. in October 1849, he was ordained deacon in the Lent of 1851, and accepted the curacy of Tew, in the diocese of Oxford. Friendship with Kingsley brought him into association with F. D. Maurice, Tom Hughes, J. M. Ludlow, and other co-operative and Christian socialist leaders. He was now broadly high church in doctrine, given to ritualism, and a radical in politics. About this time he took up the practice of mesmerism. In 1852, when he was ordained priest, he became curate of Bloxham, near Banbury, travelled in Germany with pupils, and in November 1853 was given a 'conductship' or chaplaincy at Eton College. In 1853 appeared his first literary production, a sermon on 'The Communion of Saints.' He became a vegetarian and turned his attention to Positivism, and was appointed a 'Master in College' (Memories, p. 205) in 1854. Two years later he married Margaret Agnes Colvile (youngest sister of Sir James W. Colvile [q. v.]). He contributed to the 'Tracts for Priests and People,' brought out by Maurice and Tom Hughes, one on 'The Boundaries of the Church' (1861), in which he stated that the very minimum of dogma was required from lay members of the Church of England. These views brought down upon him the wrath of Bishop Wilberforce. He left Eton in 1862 to become vicar of an Eton living at Sturminster Marshall, Dorsetshire. As the endowment was small, he took pupils. In 1870 he joined a unitarian society called the Free Christian Union. In 1872 he associated himself with Joseph Arch's movement on behalf of the agricultural labourers in Dorset, and in 1873 he edited the new series of the 'New Quarterly Magazine.' He gradually found himself out of sympathy with the teaching of the Church of England, and in 1874 threw up his living and came to London. In 1876 appeared his most noteworthy production, 'William Godwin, his Friends and Contemporaries,' with portraits and illustrations, 2 vols. The work was undertaken at the request of Sir Percy Shelley, Godwin's grandson, who placed at Paul's disposal a mass of unpublished documents, which he used with judgment.
For some years Paul had acted as reader for Henry Samuel King, publisher, of Crnhill, who brought out several of his books; King in 1877 relinquished the publishing part of his business and Paul took it over, inaugurating the house of C. Kegan Paul and Co. at No. 1 Paternoster Square. Paul thus succeeded King as Tennyson's publisher. Among Paul's earliest publications were the 'Nineteenth Century,' the new monthly periodical (1877), the works of George William Cox [q. v. Suppl. II], the 'Parchment Library of English Classics,' Tennyson's works in one volume, the 'International Scientific' series (begun
