action of Dr. Hawford, the master, in withholding his fellowship from Hugh Broughton. In 1580 he proceeded M.A., and was incorporated M.A. at Oxford in 1584. In 1588 he was elected head-master of the grammar school at Reading, and in 1591 was presented to the vicarage of Stanstead Abbots in Hertfordshire, which he resigned in 1593. The advowson of Great Munden in Hertfordshire was granted 11 July 1604 to a certain Thomas Nicholson upon trust to present it to Bradock. Bradock never obtained the presentation, which did not fall vacant till 1616; he probably died before that date. Bradock translated into Latin Bishop Jewell's confutation, in six parts, of the attack of Thomas Harding on Jewell's 'Apologia Ecclesiæ Anglicanæ.' The translation, taking up 637 folio pages, was published at Geneva in 1600, and was undertaken that foreign scholars and divines might be able to follow the controversy which the ' Apologia ' had occasioned. It is dedicated to John Whitgift, archbishop of Canterbury.
[Cooper's Athenæ Cantab, ii. 395; Wood's Athenæ Oxon. (Bliss), i. 394; Fasti i. 228; Clutterbuck's Hertfordshire iii. 247; Coate's Reading, 335; Strype's Annals, ii. App. 136, iii. 490, App. 201; Cal. State Papers (Dom. 1603-10).]
BRADSHAIGH, RICHARD. [See Barton.]
BRADSHAW, ANN MARIA (1801–1862), actress and vocalist, was born in London in August 1801. Her maiden name was Tree, and her father, who lived in Lancaster Buildings, St. Martin's Lane, was in the East India House. After a training in the chorus at Drury Lane, and a short experience in Bath, she appeared in 1818 at Covent Garden as Rosina in 'The Barber of Seville.' Subsequently she played, principally as a substitute for Miss Foote or Miss Stephens, Patty in 'The Maid of the Mill,' Susannah in 'The Marriage of Figaro,' and other similar characters. Her first recorded appearance in ah original role seems to have been as Princess Stella in the 'Gnome King,' a spectacular piece produced on 6 Oct. 1819 at Covent Garden. On 11 Dec. of the same year she appeared as Luciana in an opera founded by Reynolds on 'The Comedy of Errors.' This led to the series of Shakespearean performances on which her fame rests. In various renderings, musical and otherwise, of Shakespearean comedy, she played with success Ariel, Viola, Imogen, Julia (in the 'Two Gentlemen of Verona'), Ophelia, and Rosalind. With the exception of a solitary appearance at Drury Lane on April 1823, when she was lent by her own management, she appears to have remained at Covent Garden till her retirement. This took place on 15 June 1825 in two of her original characters, Mary Coppin 'Charles II,' by Howard Payne, and Clari in the opera of that name, by the same author. Shortly afterwards she married, under passably romantic circumstances, and after, it is said, an attempt at suicide, James Bradshaw, a man of property. She died on 18 Feb. 1862. Of medium stature and pleasing figure, and with no special claim to beauty, she owed her popularity to the pathos in her voice. Though inferior to her singing, her acting won commendation. She was much praised for the modesty of her performance in male attire. Her sister, Ellen Tree, became the wife of Mr. Charles Kean.
[Genest's History of the Stage; Oxberry's Dramatic Biography; The Drama or Theatrical Pocket Magazine; Era Almanack.]
BRADSHAW, GEORGE (1801–1853), originator of railway guides, only son of Thomas Bradshaw, by his wife, Mary Rogers, was born at Windsor Bridge, Pendleton, Salford, on 29 July 1801. His parents taxed their limited means to give a good education to their only child by placing him under the care of Mr. Coward, a Swedenborgian minister; thence he removed to a school kept by Mr. Scott at Overton, Lancashire. On leaving school he was apprenticed to Mr. J. Beale, an engraver, who had acquired some reputation by the execution of the plates of 'The Art of Penmanship Improved,' by Duncan Smith, 1817. In 1820 he accompanied his parents to Belfast, and there established himself as an engraver and printer, but, not finding adequate occupation, returned to Manchester in the following year. His attention had been for some time directed to the engraving of maps, and in 1827 he determined to devote himself more especially to that branch of art. The first map projected, engraved, and published by him was one of Lancashire, his native county. This was followed in 1830 by his map of the canals of Lancashire, Yorkshire, &c. This map eventually became one of a set of three known as 'Bradshaw's Maps of Inland Navigation.' Soon after the commencement of the railway system, Bradshaw, the originator of railway guides, produced 'Bradshaw's Railway Time Tables' in 1839, a small 18mo book, bound in cloth, price 6d. In 1840 the name was changed to 'Bradshaw's Railway Companion,' which contained more matter, with sectional maps, and was sold at 1s. It was not published periodically, but appeared
