library at Stonyhurst. 2. 'Tractatus de Incarnatione.'
[Foley's Records, vii. 223; Oliver's Collectanea S. J. p.85; Gillow's Bibl. Dict.; De Backer, Bibl. des Écrivains de la Compagnie de Jésus (1860), p. 1719.]
ELLERTON, EDWARD, D.D. (1770–1851), founder of scholarships, son of Richard Ellerton of Downholm, Yorkshire, was born in 1770; was educated at Richmond School: matriculated at Oxford as a member of University College; and graduated B.A, in 1792, and M.A. in 1795. Ellerton was appointed master of Magdalen College school in 1799; was afterwards elected fellow of the same college, and proceeded B.D. in 1805, and D.D. in 1815. He was appointed to the perpetual curacy of Horspath, Oxfordshire, in 1814, and to the perpetual curacy of Sevenhampton, Gloucestershire, in 1825, resigning the latter charge early in 1851.
For some time also he acted as curate to Routh, the president of Magdalen, at Theale near Reading, a chapelry attached to the rectory of Tilehurst. Ellerton was the founder of many scholarships and prizes. In 1825 he established an annual prize of twenty guineas, open to all members of the university of Oxford who had passed examination for their first degree, the prize to be given for the best English essay on some theological subject, In the earlier part of Pusey's career Ellerton was his close friend, and, in conjunction with Pusey and his brother Philip, he founded in 1832 the Pusey and Ellerton scholarships, three in number, which are open to all members of the university, and are of the annual value of 30l. each. Magdalen College also, in which Ellerton had for many years been sole tutor, and very frequently bursar, shared in his benefactions. In addition to other gifts, in 1835 he founded an annual exhibition for the best reader of the lessons in the college chapel; in 1849 an annual exhibition for the best scholar among the choristers; and by his will he founded in Magdalen College two annual exhibitions for students in Hebrew, He further established an exhibition for boys educated at Richmond School. Ellerton was a firm supporter of the principles of the Reformation, and in 1845 published a brief polemical treatise on 'The Evils and Dangers of Tractarianism.' He was lecturer in divinity, and senior fellow of Magdalen College, and perpetual delegate of privileges in Oxford University. He died at his curacy of Theale, 26 Dec. 1851.
[Ann. Reg. 1851; Gent. Mag. 1852.]
ELLERTON, JOHN LODGE, formerly John Lodge (1801–1873), amateur musical composer, son of Adam Lodge of Liverpool, was born in 1801, and sent to Rugby, where his proficiency on the pianoforte became conspicuous. He proceeded to Brasenose College, Oxford, where he graduated B.A. 4 Dec. 1821, and M.A. 16 April 1828. At Oxford, before taking his M.A. degree, he published some songs and quadrilles. Their success induced Lodge to study music seriously, and he placed himself for two years under the tuition of Terriani at Rome for counterpoint, and gained practice in Italian methods by writing seven Italian operas. A tour in Germany in the company of the Earl of Scarborough was followed in August 1837 by his marriage with the sister of the eighth earl, the Lady Harriet Barbara Manners-Sutton, a widow. Frequent visits to Germany enabled Lodge to study the masters of instrumental music to the best advantage, and no fewer than fifty string quartets and similar pieces are among his published works. His Opus 100, a string quintet, was noticed in the ‘Neue Zeitschrift für Musik’ of May 1850, as being skilfully constructed, though neither original nor attractive. In the meantime his English opera, ‘Domenica,’ produced 7 June 1838 at Drury Lane, with Miss Cawse, Miss Rainforth, and Messrs. Barker, Compton, and Fraser in the principal parts, had been severely handled in the London press. The absurdities of the libretto had no doubt something to do with the failure of this work, but even the most favourable of Lodge's critics (in the ‘Morning Chronicle’ of 8 June), while giving due praise to the pure style of the music, adds that it was wanting in variety, vigour, effect, originality, and dramatic feeling. Alfred Bunn (‘The Stage both before and behind the Curtain’) wrote: ‘Mr. Lodge's opera of “Domenica” won't do; he is a good musician, but not equal to writing for the stage; perhaps he holds himself above it.’ No record appears of the publication of this or of his other English opera, ‘The Bridal of Triermain,’ or of his German opera, ‘Lucinda.’ More successful was his oratorio, ‘Paradise Lost,’ published in 1857 with pianoforte score, the selection of passages from Milton being made with discrimination. Lodge had already given proof of his literary taste in his poetical writings. He was an occasional guest of the Madrigal Society in 1840, 1841, and 1843, and wrote many glees, two of which gained prizes (1836 and 1838) at the Catch Club. Of his sixty-five songs and nineteen duets a few only became widely known.
Some of Lodge's instrumental music has been given at the summer resorts in Baden
