cipline, p. 249). Greenwood was married, and had a son called Abel (Examination, p. 24).
Greenwood's books were chiefly written in conjunction with Barrow, to the article on whom reference should be made. He also wrote: 1. 'M. Some laid open in his couleurs. Wherein the indifferent Header may easily see hovve vvretchedly and loosely he hath handeled the case against M. Penri,' 1589, n.p., 12mo. 2. 'An Answer to George Gifford's Pretended Defence of Read Prayers and Devised Leitourgies, vvith the ungodly cauils and wicked sclanders … in the first part of his … Short Treatise against the Donatists of England, by Iohn Greenwood, Christes poore afflicted prisoner in the Fleete at London, for the trueth of the Gospel,' Dort, 1590, 4to; a second edition appeared in the same year, and a third in 1640. The examinations of Barrow, Greenwood, and Penry were printed at London in 1593 and 1594, and are reprinted in the 'Harleian Miscellany' (iv. 340-65).
[MSS. Harley 6848, 6849 (original papers), 7041, and 7042 (Baker's collections); MS. Lansdowne 982, ff. 159-61 (notice by Bishop Kennett); Brook's Puritans, ii. 23-41 ; Hanbury's Historical Memorials of Congregationalism; Dexter's Congregationalism; Cooper's Athenæ Cantabr.ii. 153 (where a number of minor references will be found); Waddington's Penry ; Stow's Annales, p. 765 (ed. 1615); Strype's Annals, ii. 534, iii. 124, App. 40, iv. 96, 136; Egerton Papers, pp. 166-79 (Camden Soc.); Ames's Typogr. Antiq. (Herbert), pp. 1262, 1678, 1711-13, 1716, 1723.]
GREENWOOD, JOHN (d. 1609), schoolmaster, was matriculated as a pensioner of St. John's College, Cambridge, in 1558; removed to Catharine Hall, of which he was afterwards fellow; proceeded B.A. in 1561-2, and commenced M.A. in 1565. He became master of the grammar school at Brentwood, Essex, where he appears to have died at an advanced age in 1609. His only work is 'Syntaxis et Prosodia, versiculis compositæ Cambridge, 1590, 8vo.
[Manuscript additions to Cooper's Athenæ Cantabr.; Bullen's Cat. of Early Printed Books.]
GREENWOOD, JOHN (1727–1792), portrait-painter, born 7 Dec. 1727 in Boston, Massachusetts, was a son of Samuel Greenwood, merchant, by his second wife, Mary Charnock, and a nephew of Professor Isaac Greenwood of Harvard College. In 1742, just after his father's death, he was apprenticed to Thomas Johnston, an artist in watercolours, heraldic painting, engraving, and japanning. He made rapid progress, and some of his portraits painted at this period are still preserved in Boston. One of the Rev. Thomas Prince was engraved in 1750 by Peter Pelham, stepfather of John S. Copley the elder [q. v.] Greenwood removed late in 1752 to the Dutch colony of Surinam, where he remained over five years, executing in that time 113 portraits, which brought him 8,025 guilders. He visited plantations, made notes about the country, and collected or sketched its fauna, plants, and natural curiosities. Desiring to perfect himself in the art of mezzotinting he left Surinam, and arriving in May 1758 at Amsterdam, soon acquired many friends, and was instrumental in the re-establishment there of the Academy of Art. At Amsterdam he finished a number of portraits, studied under Elgersma, and issued several subjects in mezzotint, some of which were heightened by etching. He entered into partnership with P. Foquet as a dealer in paintings. In August 1763 he visited Paris, stopping some time with M. F. Basan. About the middle of September he reached London, and permanently settled there a year later. He was invited by the London artists to their annual dinner at the Turk's Head on St. Luke's day, 18 Oct. 1763, and at their fifth exhibition in the following spring displayed two paintings, 'A View of Boston, N.E.,' and 'A Portrait of a Gentleman.' Early in 1765 a charter passed the great seal founding the 'Incorporated Society of Artists of Great Britain,' and Greenwood became a fellow of the society.
In 1768 he exhibited his admirable mezzotint of 'Frans von Mieris and Wife,' after the original in the Hague Gallery; in 1773 'A Gipsey Fortune-teller' in crayon; in 1774 a painting of 'Palemon and Lavinia' from Thomson's 'Seasons,' &c.; and in 1790 a large landscape and figures representing the 'Seven Sisters,' a circular clump of elms at Tottenham, embracing a view of the artist's summer cottage,with himself on horseback and his wife and children. His attention, however, was for some years principally directed to mezzotints, including portraits and general subjects after his own designs, and pictures of the Dutch school. His 'Rembrandt's Father,' 1764, the 'Happy Family,' after Van Harp, and 'Old Age,' after Eckhout, both finished for Boydell in 1770, may be mentioned. His 'Amelia Hone,' a young lady with a teacup, 1771, was probably the best example of his art.
The Royal Academy was founded by dissentient members of the 'Incorporated Society' in December 1768. Greenwood, then a director of the latter society, tried in vain to persuade his friend and countryman, John
