Lacy, vol. lxix.), music by F. Ries; ‘The Corporal's Wedding,’ a farce, 1830; ‘The Omnibus,’ an interlude, 1831; ‘Country Quarters’ and ‘The Clutterbucks,’ farces, 1832; ‘Scan Mag,’ farce, 1833; ‘The Ferry and the Mill,’ melodrama, 1833; ‘King Arthur and the Knights of the Round Table,’ a Christmas equestrian spectacle, 1834–5. ‘The Night Patrol,’ a farce, and ‘Cavaliers and Roundheads,’ an adaptation of ‘Old Mortality,’ were posthumous.
His only son, Isaac John Innes Pocock (1819–1886), born on 28 July 1819, was educated at Eton, and Merton College, Oxford (B.A. in 1842), and was called to the bar, 19 Nov. 1847. In 1872 he printed privately ‘Franklin, and other Poems.’ He married, on 4 April 1850, Louisa, second daughter of Benjamin Currey. He died on 28 May 1886.
[Berry's Genealogies of Berkshire, pp. 116–22; Gent. Mag. 1835, ii. 657–8; Redgrave's Dict. of Artists; Bryan's Dict. of Painters and Engravers, 1889; Memoirs of T. A. Hayley, ed. J. Johnson, pp. 421, 449–50; W. Hayley's Life of Romney, pp. 291–4; Baker's Biogr. Dramatica, i. 575, 787; Genest's Account of the English Stage, vol. viii. ix. passim; Brit. Mus. Cat.; Pocock's christian name is erroneously given as James in Dict. of Living Authors, and some other places. See also Foster's Alumni Oxon. and Men at the Bar.]
POCOCK, LEWIS (1808–1882), art amateur, born in South London on 17 Jan. 1808, was the third and youngest son of Thomas Pocock, by his wife Margaret Kennedy. He was educated partly in England and partly at Tours in France. He was through life a great lover of art, and in 1837 took the leading part in founding the Art Union of London. He acted as one of its honorary secretaries (George Godwin [q.v.] being his first colleague) from that time till his death, and in the early years of the union devoted much time and labour to his duties. In 1844 Pocock and Godwin brought out, in connection with the Art Union, an edition of the 'Pilgrim's Progress,' illustrated by H. C. Selous. Pocock contributed a bibliographical chapter.
Pocock was for many years a director of the Argus life-assurance office, and in 1842 published 'A familiar Explanation of the Nature of Assurances upon Lives … with an extensive Bibliographical Catalogue of Works on the Subject.' In 1852 he patented a scheme for electric lighting. Pocock was an extensive collector of Johnsoniana of all descriptions. His collection was sold before his death. He was for some time treasurer of the Graphic Society and an active member of the Society for the Prevention of Cruelty to Animals. He died at 70 Gower Street, London, on 17 Oct. 1882, and was buried at Highgate. He married, on 6 Sept. 1 838, Eliza, daughter of George Barrett, esq., and left twelve children.
[Private information; Report of the Art Union of London for 1883; Times, 21 Oct. 1882; Builder, 28 Oct. 1882; Academy, 28 Oct.; Graphic, 23 Dec. 1882 (with portrait).]
POCOCK, NICHOLAS (1741?–1821), marine painter, the eldest son of Nicholas Pocock, a Bristol merchant, by Mary, one of the daughters and coheiresses of William Innes of Leuchars, Fifeshire, was born at Bristol about 1741. His mother was left a widow with three sons, the support of whom devolved on Nicholas. He had little education, and must have gone to sea early. Before 1767 he was in the employ of Richard Champion, a merchant, who was uncle of Richard Champion [q. v.] the ceramist, and in 1767 he left Bristol for South Carolina in command of the Lloyd, one of Champion's ships. He afterwards commanded the Minerva, another of Champion's ships. His talent for art showed itself in his sea journals, which are illustrated by charming drawings in Indian ink of the principal incident of each day. Six volumes of these journals were in the possession of his grandsons, George and Alfred Fripp, painters in water-colours. Pocock was on friendly terms with the Champions, by whom he was much esteemed.
In 1780 Pocock sent a sea piece (his first attempt in oil painting) to the Royal Academy. It arrived too late for exhibition, but Sir Joshua Reynolds wrote him an encouraging letter, with advice as to future practice, and recommended him to 'unite landscape to ship painting.' In 1782 he exhibited at the Royal Academy for the first time. His subject was 'A View of Redclift' Church from the Sea Banks,' and he continued to exhibit (sea and battle pieces mainly) at the Royal Academy and the British Institution till 1815. In these works he turned to account many of his sketches in South Carolina and the West Indies. In 1789 he left Bristol and settled in London, where he rose to distinction as a painter of naval engagements. In 1796 he was living at 12 Great George Street, Westminster, where his visiting circle included many admirals and other officers of the navy, and some theatrical celebrities, including the Kembles and Mrs. Siddons.
In 1804 he took part in founding the Water-colour Society (now the Royal Society of Painters in Water-colours), of which