to Douay, where they did service on the other side; but a new fount was now cast in London, and a skilful printer specially instructed in its use (Boyle, Life, pp. 365, 392). Before the middle of February 1681–1682 twelve sheets were ready for the press. Sall also wrote a preface in which he was partly guided by the work of the French Jansenists. Boyle thought him particularly fit for this work, as ‘an able man and well acquainted with the humour and opinions of his countrymen’ (ib. p. 378). Of these labours Sall was not destined to make a full end, for he died unexpectedly on the evening of 5 April 1682, and was buried in St. Patrick's Cathedral. ‘He was,’ says Boyle (Works, v. 234), ‘a worthy and useful person, whose death I look upon especially at this juncture as a great loss, not only to those that knew him, but to the Church of Ireland in general.’ Narcissus Marsh [q. v.] (afterwards primate) took up the unfinished work. ‘The design,’ he says, ‘of printing the Old Testament in the Irish language has received a great (but I hope not a fatal) stroke, by the death of Dr. Sall’ (ib. p. 610).
Sall's published works are: 1. ‘A Declaration for the Church of England,’ Dublin, 12mo; London, 4to, 1674. 2. ‘A Sermon preached at Christ Church, Dublin, on Matt. xxiv. 15–18,’ Dublin, 4to, 1874 and 1875. There is a French version of this in the Bodleian Library, London, 8vo, 1675; but it is not in the British Museum nor in Trinity College, Dublin. 3. ‘True Catholic and Apostolic Faith,’ dedicated to Essex, Oxford, 8vo, 1676. 4. ‘Votum pro pace Christiana,’ Oxford, 4to, 1678, and 8vo, 1680. 5. ‘Ethica sive Moralis Philosophia,’ Oxford, 8vo, 1680. All the above are rare; the second and third were republished in 1840 and 1841 respectively by Josiah Allport.
[Sall's own writings contain many autobiographical details, and upon them the notices in Ware's Writers of Ireland, ed. Harris, and in Cotton's Fasti Ecclesiæ Hibernicæ are chiefly founded. Wood's Fasti Oxon. ed. Bliss, and his Life and Times, ed. Clark; Foster's Alumni Oxon. 1500–1714; Walsh's Hist. of the Remonstrance, and his Four Letters to Persons of Quality; Birch's Life of Robert Boyle, 8vo, and his folio edition of Boyle's Works, vol. v.; Bedell's Life, ed. Jones (Camden Soc.); Le Neve's Fasti Ecclesiæ Anglicanæ. Some of Sall's letters are preserved at Kilkenny Castle (Hist. MSS. Comm. 3rd Rep.)]
SALMON, ELIZA (1787–1849), vocalist, born at Oxford in 1787, was daughter of one Munday, and came of a musical family. Her mother's brothers, John Mahon (b. 1746) and William Mahon (1753–1816), were noted clarinettists. Their sisters (Eliza's aunts), Mrs. Warton, Mrs. Ambrose, and Mrs. Second (1777–1805), were excellent vocalists. Mrs. Second sang at the Three Choirs Festival in 1795, and on the Covent Garden stage in 1796. Her voice was of rare quality, and she ‘sang up to F in alt with ease’ (Parke).
Eliza Munday became a pupil of John James Ashley. On 4 March 1803 she made her first appearance in oratorio at Covent Garden, Miss Stephens having at that period the first place as a singer. Miss Munday, gifted with a voice of beautiful tone, a charming manner, and a face ‘of dazzling fairness,’ obtained immediate success; but her attempt to embellish her solo singing with inappropriate tricks was condemned by critics. After acquiring further experience Eliza Munday learnt to employ her executive powers more judiciously. She married, at Liverpool on 11 Feb. 1806, James Salmon, organist of St. Peter's, Liverpool, whose father, James Salmon the elder (d. 1827), was lay clerk of St. George's Chapel, Windsor, and whose brother William (1789–1858), after holding the same position, was lay clerk of Westminster and taught singing. In 1813 her husband enlisted and went to the West Indies with his regiment, where he died. Mrs. Salmon sang constantly at the Three Choirs Festivals from 1812 until 1824, and was soon deemed indispensable at oratorios and concerts in London. So numerous were her engagements that she had been known, in those days of difficult journeys, to travel some four hundred miles in six days, appearing at the large towns on the way. Her professional income during 1823 is said to have reached 5,000l. Suddenly, in a moment it was even said, during an Ancient music concert at the beginning of May 1825, Mrs. Salmon's voice collapsed. Her husband died before her voice failed. During her widowhood she sought for pupils, but in vain. She married for a second time a clergyman named Hinde, who died about 1840, leaving her destitute. After several years of poverty she died, aged 62, at 33 King's Road, Chelsea, on 5 June 1849.
The magic of Mrs. Salmon's voice lay in its tone. It was likened to that of musical glasses, and Henry Phillips wrote that when Thomas Lindsay Willman [q. v.], the clarinettist, accompanied Mrs. Salmon, it was difficult at times to distinguish the voice from the instrument. But Mrs. Salmon was no musician, although perfectly drilled into everything the orchestra then required. She gave no character to anything she sang.