versity preacher in 1676, and graduated B.D. in 1678. He became curate of Hadham Magna, Hertfordshire, and chaplain to the Earl of Essex, who presented him to the rectory of Raine Parva, Essex, on 20 Oct. 1681. This he voided by cession for the rectory of St. Mary Magdalen in Old Fish Street, London. He was preferred to the prebend of Codington Major in the church of St. Paul, 18 Sept. 1684. At this time he was engaged in a scheme for printing an edition of the English bible, with a plain practical and protestant commentary, the portion assigned to him being the minor prophets; but the design was eventually abandoned. He was appointed chaplain to the Princess of Orange on the dismissal of Dr. John Covel [q. v.] in 1685, and before he proceeded to Holland the archbishop of Canterbury conferred upon him the Lambeth degree of D.D., 12 Nov. 1685 (Gent. Mag. May 1864, p. 636). As soon as Mary was seated upon the throne of England, he was advanced to the post of clerk of the closet with a salary of 200l. a year settled upon him for life. In 1689 he became canon residentiary of St. Paul's; on 13 Aug. 1690 he was collated by Bishop Compton to the rectory of Hadham Magna; and on 5 March 1691-2 he was appointed archdeacon of London. The natural tone of his voice was so loud that when taking part in the cathedral services he was heard above all the other singers. A humorous account was given of him by Sir Richard Steele in the 'Tatler,' under the name and character of Stentor. He was unanimously chosen master of Corpus Christi College, Cambridge, 13 July 1693, in succession to Dr. John Spencer [q. v.], and served the office of vice-chancellor of the university in the same year. On 18 Jan. 1694 he was created D.D. at Cambridge. He resigned the mastership in 1698, and he accepted the deanery of St. Asaph on 7 Dec. 1706, at the request of Bishop Beveridge. He defrayed the whole cost of procuring the act of parliament which annexed prebends and sinecures to the four Welsh sees in order to relieve the widows and children of the Welsh clergy from the distress of paying mortuaries to the bishops upon the death of every incumbent. He died on 9 Oct. 1731, and was buried in St. Paul's Cathedral.
He married Mary, second daughter of Sir Francis Pemberton [q. v.], lord chief justice of England, and had three sons—Thomas, William, and Francis. His widow died on 28 April 1758, aged 85 (Clutterbuck, Hertfordshire, iii. 403).
Besides some occasional sermons, Stanley published: 1. 'A Discourse concerning the Devotions of the Church of Rome, especially as compared with those of the Church of England ' (anon.), London, 1685, 4to; reprinted in Gibson's 'Preservative against Popery' (1738), vol. ii., and in Cardwell's 'Enchiridion Theologicum' (1837), vol. iii. 2. 'The Faith and Practice of a Church of England Man,' (anon.), London (3 editions), 1688, 12mo; 1700, 12mo; 1702, 8vo; 1707, 12mo; Boston, U.S. 1815, 12mo; 1841, 12mo; 1848, 8vo; reprinted in the 'Churchman's Remembrancer' (1807), vol. ii. and in 'Tractarianism no Novelty,' 1854. 3. 'Catalogus Librorum Manuscriptorum in Bibliotheca Collegii Corporis Christi in Cantabrigia, quos legavit Matthaeus Parkerus Archiepiscopus Cantuariensis,' London, 1722, fol.
[Addit. MSS. 5807 p. 40, 5880 f. 27; Clutterbuck's Hertfordshire, iii. 402; Graduati Cantabr.; Granger's Biogr. Hist. of England, iii. 368 n.; Gutch's Collect. Curiosa (1781), vol. i. p. lxiv, contents, pp. x, xi, 299, 300, 302; Jones's Popery Tracts, i. 11, ii. 327; Masters's Hist. of C.C.C.C. p. 171, and Lamb's edit. p. 202; Nichols's Lit. Anecd. i. 243; Nichols's Leicestershire, iv. 742-4; Richardson's manuscript Athenae Cantabr. p. 318; Salmon's Hertfordshire, p. 279; Memoirs of Dr. Stukeley (Surtees Soc.), i. 60; Willis's Survey of Cathedrals.]
STANNARD, JOSEPH (1797–1830), painter, was born at Norwich on 13 Sept. 1797. He was for a short time a pupil of Robert Ladbrooke [q. v.], and became an eminent member of the Norwich school. He painted chiefly river and coast scenes and shipping with much of the feeling of the Dutch artists, whose works he studied and copied during a visit to Holland in 1821. Stannard first exhibited with the Norwich Society in 1811, and he was one of the members who seceded from it in 1816; he contributed to the Royal Academy and British Institution between 1820 and 1829. His best known picture is the ‘Water Frolic at Thorpe,’ now in the Norwich Castle museum. He practised etching, and published a set of plates of Norfolk scenery. He had always delicate health, and died at Norwich on 7 Dec. 1830. A portrait of him, painted by George Clint, is in the Norwich Museum, and another, by Sir W. Beechey, belongs to Mr. J. J. Colman. Stannard married Emily Coppin, an excellent painter of fruit, flowers, and still-life, for works of which class she received three gold medals from the Society of Arts; she died at Norwich on 6 Jan. 1885, at the age of eighty-two.
Alfred Stannard (1806–1889), younger brother of Joseph, painted landscapes in the style characteristic of the Norwich school.
