593, 648–651, 815; Britton's Beauties (Wiltshire), p. 119; Madan's Cat. of Western MSS. iv. 166; Britton's Autobiogr. i. 449–50, 470; Nichols's Illustrations of Lit. iv. 856, v. 189–90, vi. 196, 371.]
WYNDHAM, Sir HUGH (1603?–1684), judge, was the eighth son of Sir John Wyndham of Orchard-Wyndham in Somerset, and of Felbrigg in Norfolk, by his wife Joan, daughter of Sir Henry Portman, by whom he had nine sons and six daughters. Sir Wadham Wyndham [q. v.] was his younger brother. Hugh, born about 1603, entered Wadham College, Oxford, in 1622, and contributed a Latin poem to the ‘Camdeni Insignia,’ published at Oxford in 1624. He was admitted at Lincoln's Inn on 19 March 1622, and was called to the bar on 16 June 1629. He was created M.A. of Oxford by royal warrant on 2 Jan. 1643. He was made bencher of Lincoln's Inn in 1648, created serjeant-at-law by the parliament on 30 May 1654, and in June following was sent as temporary judge on the northern circuit.
In the summer of 1658 at the Lincoln assizes he used some vehement expressions against the clergy who refused the sacrament to any who desired it, and advised the people to withhold tithes from those ministers who denied it to any but the ignorant and scandalous. The result was that several ministers were presented in court for neglect of duty. Wyndham's decision in these prosecutions was petitioned against by the mayor of Boston and others in November 1658.
Wyndham's promotion to the bench was declared illegal at the Restoration, but he was reinstated as serjeant-at-law on 1 June, and as judge on 22 June 1660, and made baron of the exchequer on 20 June 1670, upon which he was knighted on the 28th. On 22 Jan. 1673 he was moved from the court of exchequer to that of the common pleas.
He died at Norwich while on circuit on 27 July 1684, and was buried in Silton church, Dorset. He married, first, Jane, daughter of Sir Thomas Wodehouse of Kimberley, Norfolk, by whom he had two sons and three daughters. Both sons and one daughter died young; his daughter Rachel married John, earl of Bristol. Wyndham married, secondly, Elizabeth, daughter of Sir William Minn of Woodcott, Surrey, and widow of Sir Henry Berkeley of Wimondham, Leicestershire; and, thirdly (in April 1675), Katherine, daughter of Thomas Fleming of North Stoneham, Hampshire, and widow of Sir Edward Hooper of Beveridge, Dorset. Only by his first wife had he any issue.
[Foss's Judges of England, vii. 195–7; Collinson's Somerset, iii. 489–90; Foster's Alumni; Gardiner's Reg. of Wadham College, p. 67; Addit. MS. 5829, fol. 74; Whitelocke's Memorials, pp. 591, 675, 681; Marriage Licences of the Archbishop of Canterbury at London (Harl. Soc. Publ. xxiv. 72); Marriage Allegations of the Vicar-General of the Archbishop of Canterbury (Harl. Soc. Publ. xxiii. 239); Cal. State Papers, 1658–9, pp. 151, 194–5; P.C.C. 171, Hare.]
WYNDHAM, ROBERT HENRY (1814–1894), Scottish actor-manager, was born at Dublin of highly respectable parents on 8 April 1814, and made his first appearance upon the stage at Salisbury in 1836, paying the manager of the local theatre 20l. in order that he might assume the long-studied rôle of Norval in ‘Douglas,’ and, as he afterwards admitted, ‘make a fool of himself.’ Six years later he enacted Romeo at Birmingham to the Juliet of Ellen Tree (Mrs. Charles Kean), and subsequently was seen at the Tuileries before Louis-Philippe as Colonel Freelove in ‘A Day after the Wedding.’ During 1844 he was jeune premier at the Adelphi, Glasgow, and next year he fulfilled his ambition of making a prominent début at Edinburgh. He went thither to fill the place vacated by Leigh Murray upon his migration to London, appearing as Clifford in the ‘Hunchback’ to the Julia of Helen Faucit at the Theatre Royal, Shakespeare Square, and making a favourable impression. Among the parts allotted to him during the ensuing season were Mercutio, Charles Surface, and Rashleigh Osbaldistone in ‘Rob Roy.’ In 1846 he married Rose, daughter of William Saker, a low comedian of London, and sister of Edward Saker [q. v.] She was a clever actress, and developed a special aptitude for training juvenile troupes in ballet and pantomime. In May 1849 Wyndham appeared at the Adelphi Theatre, Edinburgh, as Orlando, and in 1850 he was Brycefield in Marston's ‘Strathmore.’ On 27 Dec. 1851 he opened the Adelphi as actor-manager in succession to William Henry Murray [q. v.], who took his farewell of the Edinburgh stage on 22 Oct. The old management concluded with the ‘Rivals,’ and Wyndham opened with the ‘School for Scandal,’ playing Charles Surface, and following the comedy up with ‘Gulliver,’ arranged as a pantomime, for which Mrs. Wyndham trained the children. The task of succeeding so successful a manager as Murray was an arduous one. Wyndham had to be leading comedian, acting manager, and stage manager in one, while his difficulties were increased by the fact that a transition period was at hand which wit-
